Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

A woman is taking an old elevator up to her new apartment that she has just moved into. The oddly old and ringing phone inside the cabin is freaking her out. Over the line she is told about nightmares that are about to become true.

For Yogi, assaults have become a daily routine, so much so that the sight of his latest victim, a heavily injured woman slumped in her car, leaves him untouched. But then he spots her baby on the back seat. Without a second thought, Yogi takes the completely defenseless creature along in a basket. Not even a machine gun pointed at his forehead could have had a stronger impact on his life; he feels threatened and seduced at the same time.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

If hugs are tangible why am I hugging the void

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A silent French film depicting the story of the nativity.

A film made in honor of the families of this world with great phrases from great people.

Horror novelist Luke Sinclair retreats to a small town to finish writing his latest book. A young woman is murdered in the woods nearby, in circumstances similar to those in his bestselling novel, "Reaper". Faced with increasing pressure from a suspicious local sheriff, as well as the advances of a female FBI investigator, he must uncover the killer before he or she strikes again, further implicating him in the crime.

Based on the best selling Camino memoir of the same name by Bill Bennett, the film documents one man's journey along the Camino de Santiago, searching for meaning, not realizing it was right in front of him, one step at a time.

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.