At some point in the not-so-distant future, an unnamed European city has evolved into a bizarre dystopian metropolis, whose residents inhabit towering utopian high-rises and work, collectively, in a single compound.

In preparation for Operation Overlord, the Allied invasion of Nazi occupied territory, the 'overlords' were the few Allied agents who knew the details of the operation. When one them is captured by the Germans, a double agent must infiltrate occupied Paris, with the help of a high level German officer and the French resistance.

Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception.

After arriving in 1940 New York, Freddy struggles to find work. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer.

Kurt Gerber is attending his final class and gets into trouble with the math professor, a frustrated self-assured petty bourgeois sadist. The duel ends in catastrophe.

In October 1936, a high official in the Austrian government receives a letter from a German Jewish woman with whom he had an affair in 1925 asking him to help place an 11-year-old, half Jewish boy in a good Austrian school. Is the child his? Should he help? And above all should he help now, at a time when Nazis are becoming powerful in Austria?

The new forester Georg Walch wants to put the poachers out of business. Believing that the animal will return to him, the poacher Wolf Pachler leaves him his hunting dog Krambambuli. The feature film "Krambambuli" is based on the eponymous novella by Marie von Ebner-Eschenbach, the script was provided by Felix Mitterer. The main roles are played by Tobias Moretti, Gabriel Barylli and Christine Neubauer.

German Comedy

After the last concert of a long tour, Dr. Kurt Ostbahn retires to his favorite café to relax. He is suddenly dragged into a bizarre criminal case. His vacation then fills with vice, perversion and murder. Of course, this is not just a story; Dr. Kurt Ostbahn experienced everything himself! The characters are not inventions; they are personal acquaintances of Dr. Ostbahn. Only the names and details have been changed so as to make them barely recognizable. And the story is more exciting than real life.

Biologist Karin Aich hopes to reintroduce wolves in Bavaria, making many enemies, including her own neighbors and family, along the way. One of her few supporters is a girl who befriends a feral wolfdog.

Wed just as war breaks out, Jeanne hardly gets to know her military husband, Louis, before the debacle of 1940. While waiting for his return from a POW camp, Jeanne journeys through countless affairs with Louis' comrades- in-arms. Hoping to forget these wartime betrayls, Louis takes his wife and the infant twins he didn't father to Berlin, where she falls for Matthais, a sensitive German industrialist. When the Indochinese war sends Louis to Vietnam, Matthais follows Jeanne back to France. A subsequent move to Damascus where Louis is posted as military attache, fails to break their bond.

Germany, around the turn of the century. When sailor Poldi returns to his Bavarian home village after many years at sea he falls for his childhood friend Dorle. But Dorle is already promised to the village blacksmith Domini. A bitter rivalry between the two ensues.

Within the span of 48 hours "contemporaries" encounter each other. In the middle is Max, who lost his job years ago because of his affair with the wife of an influential man. The story of an encounter which turns out badly because the people involved can't quite communicate.

The Distant Land (German: Das weite Land) is a 1987 Austrian-German drama film directed by Luc Bondy. It was screened in the Un Certain Regard section at the 1987 Cannes Film Festival. Based on a play by Arthur Schnitzler, which is generally referred to in English as The Vast Domain and was also adapted by Tom Stoppard as Undiscovered Country.