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Genres	Drama
Casts	Bülent İnal, Sinan Tuzcu, Tuba Büyüküstün, Özge Borak, Billur Kalkavan, Nur Sürer, Derya Durmaz, Erkan Bektaş, Bora Sivri, Evrim Alasya, Yıldırım Beyazıt, Meltem Savcı, İpek Yaylacıoğlu, Ali İl, Ayberk Pekcan, Açelya Elmas, Cenk Ertan, Zeynep Beşerler, Fırat Tanış, Alp Sunaoğlu, Altuğ Yücel, Tülay Bursa, İsmet Üstekin, Halil Sezai Paracıkoğlu, Avni Yalçın, İhsan Bilsev, Nurcan Eren, Yavuz Sepetçi, Gökhan Çelebi, İbrahim Olam, Şebnem Köstem, Güçlü Yalçıner, Esin Doğan, Fatih Payat
Creators	Nilgün Öneş

Genres

Drama

Casts

Bülent İnal, Sinan Tuzcu, Tuba Büyüküstün, Özge Borak, Billur Kalkavan, Nur Sürer, Derya Durmaz, Erkan Bektaş, Bora Sivri, Evrim Alasya, Yıldırım Beyazıt, Meltem Savcı, İpek Yaylacıoğlu, Ali İl, Ayberk Pekcan, Açelya Elmas, Cenk Ertan, Zeynep Beşerler, Fırat Tanış, Alp Sunaoğlu, Altuğ Yücel, Tülay Bursa, İsmet Üstekin, Halil Sezai Paracıkoğlu, Avni Yalçın, İhsan Bilsev, Nurcan Eren, Yavuz Sepetçi, Gökhan Çelebi, İbrahim Olam, Şebnem Köstem, Güçlü Yalçıner, Esin Doğan, Fatih Payat

Creators

Nilgün Öneş

Imagining Indians

6/1

Imagining Indians is a 1992 documentary film produced and directed by Native American filmmaker, Victor Masayesva, Jr.. The documentary attempts to reveal the misrepresentation of Indigenous Native American culture and tradition in Classical Hollywood films by interviews with different Indigenous Native American actors and extras from various tribes throughout the United States. With an all-Indian crew, Victor Masayesva visited tribal communities in Arizona, Montana, New Mexico, South Dakota, Washington and the Amazon to produce this film. Masayesva says, "Coming from a village which became embroiled in the filming of Darkwind, a Hollywood production on the Hopi Reservation, I felt a keen responsibility as a community member, not an individual, to address these impositions on our tribal lives. Even as our communities say no, outsiders are responding to this as a challenge instead of respecting our feelings... I have come to believe that the sacred aspects of our existence which encourages the continuity and vitality of Native peoples are being manipulated by an aesthetic in which money is the most important qualification. This contradicts the values intrinsic to what's sacred and may destroy our substance. I am concerned about a tribal and community future which is reflected in my film and I hope this challenges the viewer to overcome glamorized Hollywood views of the Native American, which obscures the difficult demands of walking the spiritual road of our ancestors."

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Ink Master: Angels

Bad Buddy

Henry Hugglemonster

Ann and Harold

20 Minutes