The families of 18 soldiers who heroically died in 1944 are meeting at the place of the squad last battle.

German intelligence is sending a terrorist group to the Soviet Union in the beginning of WWII.

The whole city is rushing to the circus to see the deadly act of the famous masked artist, the mysterious Mr. X. Among the guests is a rich widow, Countess Palinskaya, for whom any man is ready to perform a feat. But only the mysterious X is able to ignite the flame of love in the heart of the inflexible Countess...

The story how he will never see her and she will never forget him.

Ex-Gulag prison guard investigates murder on the movie set.

The teacher of the village school Horia, trying to instill in students a love for their land, tells them the legends associated with the ancient belfry. This displeases the headmaster, who did not understand the real motives of the teacher's behavior. The belfry burns down during the fire, leaves the village of Horia. But all that is good and useful that I did Horia is not lost. Remain his students.

The main characters are two graduates of a music school, gifted violinists. Andrei is ambitious, able-bodied, absorbed in the desire to achieve recognition. The other is Ladya Bragin, simple and reckless. On the day of the exam at the conservatory, he meets a girl who works as a clown, and immediately decides to stay in the circus. The creative successes of the heroes do not immediately and not simply take shape. Their will, their conviction of a calling, are severely tested. And yet both come to understand what happiness music can give and how much it demands from a musician...

After a conflict with a young director, actor Yuri leaves the theater, taking the buffoon's costume of his hero from the play King Lear. The stage character becomes part of the play of Yuri's real life. A drunken mother, a great actress in the past; wife, with a chill in a relationship; and the passengers of his taxi take part in this action.

Petr Konstantinovich is the powerful Director of Petrochemical Industry, which is being built from scratch in a small Siberian town.

This film is of interest primarily because it contains within it the entire surviving footage of an unfinished 1974 film by the same director, Slave of Love, which was successfully remade shortly thereafter by another director, Nikita Mikhalkov.The "cover" story is about a woman (Jeanne Moreau) newly released from prison camps in the 1940s back into Russian society, who finds that there is no place for her in the world she has come back to. However, this painterly film is so filled with striking and surreal imagery that it would be misleading to say that the story is of any great importance in relation to that.

The peculiarity of the performance "Two Women" by Vladimir Mirzoev on the Lenkom stage is in the specially developed plasticity of the characters. They seem to be in a somnambulistic state, either awake, asleep, existing, or not. In parallel with Turgenev's text, on counterpoint, the director unfolds his visual range, which enters into an obvious contradictory relationship with the words of the classic. The interaction of the characters on stage is absolutely independent of the author's remarks. Thus, Mirzoev visibly shades the intimate, to some extent Freudian motifs he saw in the play. However, Turgenev's text and Mirzoev's plastic searches turn "Two Women" into a curious stage experiment, rather unexpected for the aesthetics of Lenkom.