A talented girl from the provincial Russian town Pasha Stroganova dreams of becoming an actress. She plays the role of Baba Yaga in the amateur theatre — and does it so organically that the visiting filmmaker offers her the most difficult role in the historical drama about Joan of Arc. She was given not only great acting talent, but the talent of deep, selfless love. A dream comes true: she is invited to the main role, and she begins a completely different life, full of real creative torment, insights and true happiness.

A mostly comical tale of all-powerful and wealthy Bavarian prince adventures that started when prince was seeking to deal with the boredom. Joining the Club of Suicide society, he uncovered the mastermind criminal behind it, and vowed to get rid of him by any means necessary, following deaths of several servants when dreaded president of club makes dashing escape. During that point, story changes into nearly second movie, as prince has to uncover yet another crime.

Ivan Khristoforov discovers the strange property of foreseeing explosions. Trying to understand the reason and meaning of this unusual ability, he turns to family history. The attention of the secret public service doesn't bode well for Khristoforov. The imaginary journey of the hero in his past, bearing the imprint of a children's worldview, and the present, at times just like a dream.

Directed by Edvin Laine and Viktor Tregubovich, Trust (1976) is a Finnish-Soviet historical drama film that follows the relations between Finland and the Soviet Union. In December 1917, the Finnish delegation, composed of Chairman of the Senate Finance Department P.E. Svinhufvud (Vilho Siivola), Senator Carl Enckell (Yrjö Tähtelä) and State Secretary Gustaf Idman (Yrjö Paulo) arrive in St. Petersburg to meet V.I. Lenin (Kirill Lavrov) to gain recognition for the country's independence.

The film takes place in America in the 30-50s of our century. The hero of the film, claiming to be a biblical prophet, goes from an embittered teenager to a hardened criminal...

In a world after the nuclear apocalypse a scholar helps a small group of children and adults survive, staying with them in the basement of the former museum of history. In his mind he writes letters to his son — though it is obvious that they will never be read.

It is the future, the world is in ruins and a large portion of the population consists of deformed mutants living in reservations. In this world a man decides to spend his vacation visiting the ruins of a museum that is now buried under the sea.

Nikolai (played by Sergei Dontsov) has been fired from his job as a music teacher and has to live in the gym until he finds a place to stay. Finally, he gets a communal room in the apartment of Gorokhov (Victor Mikhalkov). The room's previous inhabitant, an old lady, has died a year ago, and yet her cat, Maxi, is still in the locked room, healthy and fat. Soon, Nikolai and his neighbours discover the mystery: there is a window to Paris in the room. That's when the comedy begins - will the Russians be able to cope with the temptation to profit from the discovery?

An unemployed astrophysicist finds a job of a docker at a grocery store, where he falls in love with a street-wise saleswoman in the produce department. But the groom runs away at the wedding reception.

A woman's view of the generation of thirty-year-old men, who fell to the lot of Afghanistan, and the "criminal revolution", and the drug wave, and AIDS...

The journalist becomes a victim of rape. To take revenge on the rapists, she makes a deal with the criminals. But things are beginning to unfold unpredictably...

A murder just happened and it seems the answer is simple on who and how did it. But a casual talk between suspect's mother and prosecutor sets a different point of view on a just opened case.