Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.

A living human being's funny adventure in hell. The film focuses on the Hindi mythology of the God of Death and how his messengers snatches the life of any living being who has supposedly completed his days on the Earth. The story focuses on the mistake of two messengers who mistakenly pronounce a man dead even before he was supposed to be. Knowing of this goof-up, the god of death gets scared as no living person is supposed to enter 'Hell". Nevertheless, due to the good deeds performed by this human being while he was alive, he is given permission to travel to Heaven where he begins searching for his wife who had passed away sometime back.

An underpaid middle-aged clerk finds a stone that changes iron to gold on touch.

Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work.

1954 Bengali film directed by Nihen Lahiri

When a local mining company has the audacity to provide its workers a fair wage for a fair day's work, and lets its workers unionize, the kingdom's villainous potentate is less than pleased. After considerable pressure, the company agrees to blame unrest in the region on a blameless worker collective. (Synopsis by Jonathon Crow at AllMovie)

Set against the backdrop of WW II in Calcutta, "Meri Bahen" is the story of a schoolteacher and his young sister. The film followed his rise to fame as a singer and the changes in his relationships following a bomb-raid.

A father worries for his younger son and asks his elder son to promise that he will do everthing in his power to ensure Arun does not go astray, educates himself and becomes an independent man. However, fate has other plans. When Arun commits an unthinkable crime, his brother fulfills the promise made to their father and shields his younger sibling from all harm.

Arjun is a very lonely person. He doesn't know what life is. Every day for him is a struggle. So he becomes a criminal. Jail is a safe custody for him because food is always available in jail. So he tries to return to the place, but all his efforts gone in vain, then he travels to a place and meets a father. He is the principal of a missionary residential school. In that place Arjun meets Miss Chaterjee, a teacher. At first she doesn't like him, but shortly she started to realise Arjun's quality. Arjun is an also a very good singer, but again for his bad reputation police catches him and send him to the jail. In court some students actually support him and thus all the misunderstanding solved and the truth prevails.

Nirdharita Shilpir Anupasthitite revolves around a father and daughter, who get separated and unite after a long time. However, things take a drastic turn when the daughter has problem adjusting with her father's rich background.

This film revolves with miscommunication and misunderstanding of two couples and their family which cause series of laughter. Sushavan Dutta and his wife, Anita, were invited at their relative Digbijay babu's house. While in journey Anita misses train and Sushavan has to journey with another lady Santana. Santana is the wife of famous political leader Shailesh. At night they take shelter as husband and wife in Gosaiji's hotel, Harimatar Panthashala because Gosaiji allows married couples only. Santana carries a puppy with her, which run away from the garden of the hotel and Sushovan has to chase it at night. When Anita's mother comes to know that Sushavan is untraced, she becomes angry and make chaotic situation.

Rajat, a young man, meets Manju, a rich girl whose father is looking for her. Though Rajat initially slyly tells her father her whereabouts, he lands up falling in love with her.

Niren Lahiri directs this social-minded melodrama about the complicated relationship between a traditional Hindu family headed by Madhab Thakur (Choudhury) and their progressive next-door neighbor Mukherjee (Chhabi Biswas). Thakur's daughter, Malati (Sheila Haldar), and Mukherjee's son, Robi (Robin Majumdar), run a school teaching traditional Hindu values which they hope will become a countrywide franchise. Their planned nuptials are impeded when Malati's older sister is forced to marry a Brahmin against her will, resulting in a full-scale revolt in both households. Eventually, the rift is settled, the hero and heroine marry, and a sort of Hindu-laden modernity reigns in the two families.

When Abhoy gets engaged to Sabitri she starts to ridicule him as he is old fashioned and socially awkward. Will situations change for Abhoy?

Shankar was a young lawyer in pursuit of making it big in the professional world. However his world is turned upside down when he comes to know that his father, who knew went missing, was in real spending his lifetime in the jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate into the case and save his father. He goes to Kishnanagar in search of the people and the evidences which would help him to prove his father’s innocence. He meets Rita, an young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues most of them which were imposed by the actual murderer. However he solves the mystery in the end and his father is thus, released from prison.

The plot revolves with Raicharan's tragic life. He is the obedient servant of local zamindar and takes care of zamindar's son whom he addresses as Khokababu. One day the little son dies in an accident in river flood and he is blamed for the same. In a delusional state, Raicharan starts believing his own infant to be his much loved khokababu and brought him up only to return him to his master.

darsha Hindu Hotel is a Bengali drama film directed by Ardhendu Sen based on the same name novel of Bibhutibhushan Bandyopadhyay.[1][2] This film was released on 31 May 1957 under the banner of Sreelekha Pictures

Jogin, a poor school teacher, had brought up an orphan Tomato as his nephew. But now suffering from the deadly tubercolosis, he decided to gamble with luck to see if a better home could be found for Tomato.

During WWII an army doctor is brought a drunken Anglo-Indian woman, whom he'd once loved, for treatment.

Bipasha and Dibyendu are in love, and the two decide to marry. However, on their wedding night upon receiving a letter, Dibyendu leaves Bipasha before the ceremony to locate his birth parents.

The gloomy life of a young boy gets filled with joy when a new family moves into his neighbourhood. As the young boy sees the new girl, who becomes his new neighbour, he immediately falls in love. But things do not go easy for him as she lives with her uncle who has a very suspicious wife.

Ratan sees a courtesan on the roads of Kolkata and identifies her to be Sona, his long lost childhood lover who was kidnapped from the ghats of Benaras and could never be found again. He goes over to her place and finds out that she was indeed, Sona. However after being kidnapped her life had changed. She was forced into a life which she never wanted. Ratan urges her to come along with him, and after much dilemma, she gives in. They get married and move to a different place and start life afresh. However much to Ratan's horror, Sona's dark past haunt them until one day Sona is humiliated in public by one of her old clients who recognize her. Sona decides to leave his husband for good as she was the reason for his misery. True love wins in the end as Ratan promises to always be by her side no matter what the society's verdict is. Watch the full movie, Benarasi, only on Eros Now.

Heeru, Naren and Chandranath were friends. From his college days Chandranath had been aspiring and ambitious. He is also a man of strict principles in life. He decides to leave his brother and his sister-in-law and goes away to gain immense power and knowledge. In the meantime he marries and is blessed with a kid. However Chandranath's quest for learning more drives him to leave his new family as well as he sets off to achieve new goals in life. He not only fails to achieve his ultimatum but ends up losing his family too. On the other hand, Naren hails from a rich family and is a happy go lucky natured man. He appreciates the finer aspects of life. He falls in love with a courtesan and brings her home. Caught between the two friends who have opposite ambitions in life, Heeru wonders which path would bring contentment in one's life. However Heeru loses control of his life and slowly realizes that his life has become a mirror of Chandranath's life.

Manoj is from the aristocratic class but has some sort retrograde amnesia; he belongs to the upper-class but is also an outsider, something that enables the possibilities of movement across the class-lines for him. This trope is essential for Barua to articulate the criticism of the indolent upper class in the film. Thus Manoj is both an object of criticism and ridicule while also being one of the critics.

A nurse at a psychiatric ward gets a bit too involved in the well-being of a patient.

This film portrays a greedy thief's struggle to run blindly after riches.

The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.

A comedy adapted from a successful play. The zamindar Damodar Chakraborty (Chakraborty) starts a school named after his wife and recruits a married couple as teachers. Manas (Ganguly in the role which had made him a stage star) and Niharika (Kanan Devi) pretend to be married in order to get the jobs. Their imposture, together with the fact that he is Hindu while she is Christian, produces complications.

Biswanath or Bishu a young warm-hearted man, made a "Mukti Fauj" in Hell against Jamraj. He also planned to escape with Lolita, Heena, Rita, Ghosai babu and others. After a lot of hurdles, they managed to fly away from Hell. They came back to Earth with expectations, but unfortunately, time was changed. All of them faced some unbearable situations which really made them sad. Bishu came to know his wife got married to a wrestler. Lolita's boyfriend Montu da was busy with some other lady. All these experiences helped them realize the changing time. As a result, Bishu with his mates decided to go back to Hell. Earth was unable to give them sufficient space to live a happy life.

The wealthy, self-obsessed, and possibly crazed Manoj (Barua) is sent by his concerned family to the rural estate of his future father-in-law. Along the way, however, he gets lost and soon finds himself taking shelter in the abode of railroad stationmaster whose beautiful, down-to-earth daughter, Meena (Kenan Devi), Manoj finds irresistible. When his haughty, progressive-minded fiancee gets wind of this, she freaks out and soon there is a showdown between the two women. In the aftermath, Manoj finds reason to go with his heart and marry Meena.

Anu and Binay love each other and wish to get married but face opposition from her greedy uncle. They decide to elope but are caught and separated due to unforeseen circumstances.

A woman feels that her worst fears may come true when she receives a letter from her sister after 22 years.

The story of a popular young writer and an idealistic young architect.

One of the early films of Chhabi Biswas featuring him as a leading man, before he came to be associated with the dominating patriarch roles that have become iconic in Bengali cinema, the film is a tale of the love, relationships and ideals of two generations. Nutubihari is an idealist who has given up his love for Kalyani for the sake of his beliefs. He marries Bimala and becomes a lawyer, fighting for the rights of the poor against the feudal lords. Meanwhile, Kalyani comes to ask refuge after she becomes a widow and is inexplicably accepted by Bimala with a lot of warmth. As the years pass Kalyani's daughter Mamata and Nutu's oldest son Arun fall in love and wish to get married. However, the new-found fame and fortune turns his head and Nutu begins to resemble all the ideals and vices that he had always despised. On the other hand in an ironical turn of events, Arun comes to occupy the position once held by his father, highlighting the generational conflict of ideals.

Indrani Mukherjee the only daughter of a staunch brahmin in a village studies at Kolkata and stays in a girls' hostel. She meets Sudarshan Dutta, who had a brilliant career as a student and is doing his PhD. They fall in love, and Indrani wants to get married with him as soon as possible. She goes back to her village and informs her father of her intention to get married, Indrani's father takes umbrage as Sudarshan is not a Brahmin and also unemployed. Sudarshan too warns Indrani that he won't be able to provide for her. Indrani marries Sudarshan and is tormented at Sudarshan's house by his mother and sisters in law because of several emotional strains at play. To avoid further complications at home, Indrani gets a job as a teacher in Dinajpur. One day, after a heated exchange between two people that started their journey fiercely loving and trusting one another, Sudarshan leaves Indrani and goes in search of a job elsewhere.

The lesser known 'Sannyasi Rebellion' of the 18th century forms the base of this film. Bankimchandra Chattopadhyay's 'Anandamath' is regarded as one of the most significant patriotic novels that fueled the national movement. India's national song 'Vande Mataram' was actually taken from this novel, which was once banned by the British rulers.

Himangshu is a villageman who apart from practicing homeopathy helps the local people with their odds and ends. One day he gets a call from a rich man to escort his daughter Juthika to Patna. At first the rich and spoilt lady takes much disliking for the plain and simple young man but after having seen him from close quarters starts liking him. Soon her marriage is fixed to a bigshot. She confesses her feelings to Himangshu however he declines her love as he had a similar love failure in the past and did not want a broken heart again. He decides to leave the place and go away. Juthika breaks her engagement, leaves her family behind and chooses to come along with Himangshu, proving all his apprehensions wrong.

Sadananda, a wanderer, brings about a positive change in the lives of everyone around him when he starts living in a renowned man's unoccupied mansion along with the family of a little girl, Runu.

Setap, a money-minded man, gets insecure when he hears a rumour about his dutiful wife and spendthrift brother, Mahatap. Soon, things go out of hand when Setap's rage takes over. Setap became mad hearing those words from Ghoton.

A run-of-the-mill girl.

Bidhu, a family man, leads a content life with his two sons and four daughters. As the sole breadwinner of the family, Bidhu's life turns upside down when his son is diagnosed with tuberculosis.

Krishna, the daughter of a penny-pincher, falls for their tenant, Sunil. However, when Sunil leaves to forge a career, her insensitive father fixes her marriage with someone else for money.

Kamona is a Bengali drama film directed by Nabendu Sundar. This movie was released on 4 March 1949 in the banner of Kirti Pictures. This is the second film of Bengali actor Uttam Kumar after Drishtidan and debut as the leading person crediting him as Uttam Chatterjee instead of Arun Kumar Chatterjee.

Dikshul is a 1943 Indian Bengali film directed by Premankur Atorthy.The film was produced by New Theatres Ltd, Calcutta. Its music direction was by Pankaj Mullick and the cinematographer was Rabi Dhar. The lyricist for the film was Kazi Nazrul Islam who was famous as the "Bidrohi Kavi" ("Rebel Poet"). The film marked the entry of actress and singer Binota Roy as a playback singer. The cast included Mihir Bhattacharya, Chhabi Biswas, Tulsi Chakraborty, Ashu Bose, Sailen Chowdhury, Harimohan Bose, and Radharani.

Raja was a professional thief who went to jail for a crime. His very close assistant Bhola waited for him and when Raja came back from jail, they started to plan for a bigger one. One day a family came to their locality. Within few days, Raja and Bhola became closer to that family. Mala was the only female earning member and she worked in theatre. Raja did not disclose his real identity and tried hard to impress her a lot. In the meantime, a tout Gobordhan nagged Mala a lot to join films. Raja and Bhloda gave him a good punishment and saved Mala in several situations. Later Raja tried to cheat a businessperson, but an unavoidable situation changed his life. At last, Mala came to know everything about Raja and accepted him as her partner. Raja also decided to change his life and put his best effort to become a good man. He meets Mala and asks her to forgive Raja. Raja once again regains Mala's love and the film ends on a happy note.

Bhupen is an excellent student who works as a private tutor to support his education and family. He begins to teach Sandhya who is a rich man's granddaughter. She ends up falling for him and that ruins his career, even though he did not feel the same for her. He later gets married to Kalyani but he and Sandhya still share a bond for the sake of her property.

Manik is mentally and physically abused by the manager of the orphanage he lives in. However, when he runs away to Calcutta, he finds himself in deeper trouble in a far more dangerous world.

Nabakumar, a young gentleman from Saptagram, got lost in a forest while returning from pilgrimage in Gangasagar. He met a Tantric sage who trapped him, intending to make him a sacrifice to goddess Kali; but was later freed secretly by Kapalkundala. The priest urged Nabakumar to take Kapalkundala away from her wicked foster-father and also showed Nabakumar his way to Saptagram. Now re-christened as Mrinmoyee. The sage, on the other hand, got annoyed at Kapalkundala’s betrayal and began to plot his revenge. In the meantime, Nabakumar met Padmabati, his first wife, who was converted to Islam by his father, making Nabakumar to desert her. Padmabati, now renamed as Motibibi, expressed her love for Nabakumar, but he refused her. Later the sage came to Saptagram and met Motibibi. The sage wanted to kill Kapalkundala, but Motibibi wanted to separate her from Nabkumar only.

In post-partition Bengal, a clash of cultures between neighbors ignites a turbulent yet tender tale of rivalry, love, and unexpected alliances.

Two brothers, Utpal (elder) and Kamal (younger), love each other. They have both seen hard times since their childhood because their parents died early. Utpal, being the elder, became the guardian of Kamal. Now that Kamal is an adult, he fights for his freedom and choices. The generational gap builds a wall of separation between them. Will their fight ever resolve?