Love. It just happens. No rules. It may look sick, but it's deep and it hurts. For everyone, Alex and Kiki are just good friends. They happen to be two girls experiencing another kind of love. For their family, Kiki and Sandu are sister and brother who sometimes fight. They happen to be lovers. Love Sick is about their stories.

Rescued as a child by the legendary assassin Moody and trained in the family business, Anna is the world’s most skilled contract killer. When Moody, the man who was like a father to her and taught her everything she needs to know about trust and survival, is brutally killed, Anna vows revenge. As she becomes entangled with an enigmatic killer whose attraction to her goes way beyond cat and mouse, their confrontation turns deadly and the loose ends of a life spent killing will weave themselves ever tighter.

Following a competitive circumstances, Russian Federation returned the Romanian state treasury found in Moscow. Among the items brought into the country is also a bust of the early twentieth century (porcelain bust made ​​in 1915, signed I. Andropov) that is not in inventory; experts consider it a "regular kitch". The bust was stored at the Museum of Art in Bucharest.

Vienna, 1995. Jasmin, Tamara, Valentin, Senad and Roman live near the northern border of Austria. Their lives repeatedly intersect and drift apart. The characters involved are young migrants from the former Yugoslavia, Romania, Poland and Austria itself. Strangers in a strange land, they feel a sense of loss in their new, temporary environment. The five-some meet and get close to each other, hopelessly clinging to friendships and relationships with no future. They frequent cafés and train stations dreaming of a better tomorrow. Often, they just fall back on the prospect of short-term affection in yet another doomed romantic or sexual encounter. Trying hard to suppress the memories of war and alienation, they try to find moral strength and warmth through one another.

A short film based on the short story "False Autostop" by Milan Kundera.

Alex, an assassin-for-hire, finds that he's become a target after he refuses to complete a job for a dangerous criminal organization. With the crime syndicate and FBI in hot pursuit, Alex has the skills to stay ahead, except for one thing: he is struggling with severe memory loss, affecting his every move. Alex must question his every action and whom he can ultimately trust.

Ema is the successful TV anchor of a national TV broadcaster, the star of a popular tabloid show. A perfectionist, she has no hesitation in putting at steak her health or money for higher ratings.

Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)

Alex Brown inherits the awesome task of saving his ex-secret agent parents and protecting the planet from evil powers bent on controlling the world's plutonium supply. To do this Alex uses his new found magical shapeshifting power.