The short life of the Uruguayan poet Delmira Agustini is colourfully portrayed, not as a conventional biopic, but as a visual poem which evokes the turbulent life and complex personality of the literary heroine as she develops her genius for writing.

A philosophy-obsessed serial rapist stalks a university campus in broad daylight.

After receiving a visit from a messenger of God, João de Deus wins his buddy's girlfriend through a roll of the dice.

Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.

Graça is a single mother who works as a massage therapist and lives with her two children: Moreno, 8, and Papoula, 15. One day, in a visit to the doctor, Graça is diagnosed with a brain aneurism that may rupture at any moment. Desperate about who will take care of her kids in the event of her death, she decides to go after her brother, Luiz Carlos, whom she hasn't seen in over 15 years due to a quarrel. When they meet, however, Luiz Carlos has become Gloria, a beautiful and successful transvestite, who now owns a restaurant and brags about being independent. At first, Gloria is unwilling to reconnect with her family; but as she becomes more guilt-stricken, she accepts Graça's invitation to meet her nephews and eventually realizes that maybe, to be complete, she needs to become a mother.

Marta and Jorge have been a couple for seven years. All their friends think they are living a perfect romance. Too perfect, perhaps, for the despair of all: Bruno, who is much younger than Marta but madly in love with her; Lígia, who is Bruno's sister and Marta's best friend and would love to see her brother happy; Carlos, Jorge's friend, who maintains a superficial romance with Lígia while secretly in love with Marta; and for Jorge himself, who is afraid this idyllic romance will imprison him and, convinced that his love and his lover's desire to marry will take away his freedom, decides to show her the way into Carlos arms.

Vicente goes to Egypt to cover some news for his newspaper, but then he decides to take the investigation further, along the Tropic of Cancer, further and further away (in time and space) from home, and his difficult love life. Therefore he revisits the lands explored 500 years before by the seafarers from his own people: Egypt, India, Thailand, Vietnam, Nepal, Laos, China... Eventually he must come back.

In oPorto there is a club, Imperatriz, where everything is permitted. A moment in which all intersect in the dark night.

Humberto hanged himself. Catarina, Paulo and Victor want the company where Humberto used to work for to take responsibility in his death, leading them to kidnappe the company’s director in an act of despair. Who is Humberto? What company is that? In which paths will he take us, after his death? Cinerama is an edgy, enigmatic, but not distant film that brings up genres of cinema as well as other forms of art like dance, theatre and poetry. The film reflects ways of being in life.

A father's journey to save his son.

Jorge, a very shy young man, works as bellboy in a Lisbon hotel and lives in a guesthouse where he is constantly harassed by the owner’s daughter. As he tries to resist her charms, the boy dreams of one thing only: to incarnate the singer Tony de Matos. This obsession leads him to sign up for an unique karaoke contest, where he will finally be able to give life to his longtime hero. And it’s amid a group of strange characters that Jorge will understand that, after all, he is not alone.

Lisbon, 1943. While ordering the departure of trains loaded with essential products towards Nazi Germany, Salazar’s government establishes the rationing of goods. In Portugal, thousands of workers are protesting against ‘hunger wages’. Paulo and Luísa, antifascist resistants, have lived together for several years. They are preparing to secretly or ganize a strike at the stowage. “At 6 at Adelino’s cafe.” In 20 years of militancy, Paul was never late. But, as the day progresses, the contradictions deepen. “Fog” is a free adaptation of “Fog in the City”, short story by Mário Dionísio.

The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.

Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.

Theatre is life, as movement is life. In "Truth or Dare?", Sofia Marques sets off in search of her friend and actor Luis Miguel Cintra; and Cintra is in search of himself, both excavating the matter and memory of theatre, the matter and memory of life. At home surrounded by statuary and by his Porto, by the sea and in Spain where he was born, on a stage of light and shadow, in the films of Manoel de Oliveira or in the poems of Ruy Belo.