It is an honour to present to you Simon Munnery's long awaited live DVD. It’s an amazing performance of over an hour and a half of standup, stories, songs and poems, accompanied from time to time by Mac on drums. Alan Parker Urban Warrior is here, as is Sherlock Holmes, and the Security Guard makes a welcome reappearance with three new jokes.

'Do as thou wishest, I am a fylm makker, you a film maker, make what you can from my residues, tis no concern of I' ...is what Simon Munnery said when we asked him if we could release a recording of his Fylm Makking experiments. In these shows, Simon never appears on stage. Instead he sits in the audience behind a box of tricks that can display his face, the table or both. From here he contrives to make live films - or Fylms - which are projected on a big screen at the front of the theatre. What you see on the DVD is exactly what the audiences saw on their big screen.

Simon's back with an all new show based on his remarkable Fylm makking contraption, accompanied on the guitar by Mr David Willis. The show is his second live film (or Fylm) - rendered on the spot by a homemade device operated by Simon from the back of the room. With it, he manipulates his own image and that of various animation cutouts on the table in front of him to create his Fylm which is then projected onto a big screen at the front of the theatre. You will see what the audience saw as they sat and watched the show.

The Private Life of Samuel Pepys is a 2003 British comedy television film directed by Oliver Parker and starring Steve Coogan, Lou Doillon and Nathaniel Parker. It portrayed the historical diarist Samuel Pepys. It was aired on BBC2 on 16 December 2003, drawing an audience of 2.9 million viewers.

Simon returns once again to what he does, being himself for an hour. He will consider The Absurdity of Houses, lament The Neo-Con Con, perform The New Can-Can, extol The Joy of Washing-Up and generally tell it like it is, was, and might be if we could but get our fingers out. All rise.

'Using the stinking carcass of so-called comedy as a lens, we shall focus harsh philosophee, religion, poetrie and base animal passion onto your ear, causing it to smoulder'

In 1972 a family are on their way for a holiday in Essex. The parents argue and the son swears, making obscene gestures. So the father throws him out, drives on and crashes the car. The grandmother flags down a car with three men in it. Too late she recognises one as the man who shot a neighbour...

A new hour of stand-up and miscellany from Award winning Simon Munnery. Featuring tales of plumbing woes, his attempts at under tent heating, jokes, songs, poems and the ridicule of capitalism. Featuring a newly extended version of his classic supermarket medley.

Minty's hobbies include drinking tea, smoking roll-ups and falling into a coma. Anton goes everywhere with a ladder. He's mad.

Billy Hill and Jack 'Spot' Comer were among the most notorious criminals in London up until the 1950s. Dramatising the violent reign of two of London's most notorious gangsters, Billy Hill (Leo Gregory) and Jack 'Spot' Comer (Terry Stone), ONCE UPON A TIME IN LONDON charts the legendary rise and fall of a nationwide criminal empire that lasted until the mid-fifties and which paved the way for the notorious Kray Twins and The Richardsons. This is the story of their rise and fall.

“I went to a funeral the other day. Caught the wreath…” That’s what came to me, from the mysterious source of the inexplicable. Hear the story of the joke, the painting, and what happened next. This show was recorded in the hot and sweaty Bill Murray comedy pub in January 2020. It includes a rather splendid after the credits section, and a cool video extra too.

The extraordinary true story of eccentric British artist Louis Wain, whose playful, sometimes even psychedelic pictures helped to transform the public's perception of cats forever.

Multi award-winning comedian Simon Munnery reprises his notorious alter ego, the bedsit anarchist Alan Parker Urban Warrior. Once the most radical, now the only radical, Alan returns with the old gold, the old truths, and some new truths (based on the old truths).

A man in a canary outfit sits at the edge of a cliff behind a small desk. He watches as other people in animal outfits come up to the edge of the cliff and throw themselves off - making a tally in his book of what animal it was and treating himself to a jelly bean corresponding to the animal suit that just jumped.

Feature documentary from Louis Moir exploring the relationship between comedy and art, and the inner conflicts that lie within. Featuring the director's father Jim Moir, aka Vic Reeves, Spencer Jones, Simon Munnery, Miriam Elia and Bec Hill as they each prepare work for an exhibition.

“I’ve been mugged three times and arrested once. What a night!” Twenty years ago, in Edinburgh, legendary comedian Simon Munnery was arrested for “being a German in a built-up area”. It wasn’t an early brush with ‘cancel culture’ but it did lead to a trial. For the first time, British Comedy Award nominee, serial innovator and ‘Perennial fringe maverick’ (Guardian), Simon Munnery tells the tale of this trial, as well as his second court appearance last year, one that only came about after four years of a gruelling legal battle (or possibly an administrative backlog). Well, it worked for Lenny Bruce. Simon will also seek to turn various other distressing life occurrences into comedic gold. And there will probably be a song.

This film follows Nina as she trains as a giggle doctor with Theodora Children's Charity, beginning with her trying to find her clown persona, who might be Scottish... or might not. Devastated by the discovery that Monkey can only perform in hospitals if he can be boil-washed, Nina tries to go it alone with only a red nose, a few misshapen balloon animals and some slightly disappointing magic tricks. Not to mention her professional snobbery rearing up as she finds herself turning into a baby-voiced children's entertainer. Then there are the difficulties she encounters when faced with clown phobia. Following her directorial debut with Her Master's Voice which won a Grierson Award and a BAFTA nomination, Nina Conti brings us another frank and intimate documentary about her eventful two-year stint as a hospital clown. Join her to discover whether Nina raised a laugh amongst sick children or whether she cried the tears of a clown.