Shūichirō Kiriyama works at the Limitation Task Force, the place where the cases which have reached the statute of limitations are destroyed. Getting bored of his job, he decides to find a hobby, because it seems important to him to have a hobby. So he decides to puzzle out the unsolved cases on his free time, helped by his coworker Mikazuki, who seems to have a crush on him.

There is “another Japan,” which is divided into three countries and has been in ethnic conflict for 100 years. In the middle of the conflict, a young girl (Ikuta Erika) was kidnapped and confined by a group calling itself “National Liberation Army.” However, the girl has escaped from them to the outside world for the first time in 10 years. She befriends a girl whose father runs a business recycling artificial soldiers made from soybeans. They meet the group of boys including Harikona (Ryunosuke Kamiki) who has the ability to make flowers bloom. Keeping watch over Kegare is her adult self, Misa. This empathetic play transcends time and space. As past, present, and future get jumbled up, Kegare finally confronts an unpleasant memory that she should have forgotten. (Source: @floren646730)

Rakugo has the image of a humorous story, but it is also a treasure trove of “scary stories”. Among them, this work boldly arranges a performance in which "human fear" stands out, and does it in an omnibus format. There are four rakugo plays that will be drawn as a drama this time: "Kokoro", "Tatsumi's Tsuji Zou", "Konya Takao", and "Miyatogawa (upper / lower)".

It follows a group of people who are still living in temporary housing 12 years after a natural disaster called "Nani" destroyed their town.

Satoru Matsudo moves to Tokyo in hopes of becoming an actor. He has trouble breaking into the industry, but his luck begins to change when he finds an airplane ticket belonging to a talent agency CEO. Time passes, and Satoru makes a name for himself as an actor. He gets a call from America. Hoping it is a Hollywood offer, he instead hears about his estranged older brother.

Aoi Midori is a pharmacist and in the 8-year span of her career, she has worked according to her strong belief that "One must know the patient well in order to prescribe the correct medication as medicine is the bond that connects the patient's today to his/her daily life henceforth". Due to that, Aoi usually takes a long time in her consultations with the patients, and this causes her to be complained by her colleagues for being too inefficient in her work. Aoi shrugs off the complaints as her goal is to help the patients regain the daily life that they once took for granted.