Seven people in a therapy group are forced to find new ways of coping with their problems when their therapist dies in the middle of a session.

The restlessness creeps into a claustrophobic situation where a typist confronts the recorded voice of the writer she works for.

On the first of May 1947, the bandit Salvatore Giuliano conducted a raid to the mountain pass Portella della Ginestra, with a view to capturing Sicily's most prominent communist, Giacomo Licausi. What actually happened was a regular massacre, leaving fourteen people dead and more than thirty wounded. In 1951, about a year after Giulano's violent death, his men are tried in Viterbo. Unconvinced by the official version, Gaspare Pasciotta's lawyer, decides to travel to Sicily and starts investigating the facts.

Needing good PR, a snooty princess orchestrates a brief romance with an ordinary guy. But the schlub she picks proves more resourceful than expected.

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.

A young writer is invited to stay in a religious hostel run by a sinister, manipulative nun who plays deadly psychological games with the inhabitants.

Santa Claus has 24 hours to transform an evil and egoistic rich businessman into a better and honest person.

Having casually overheard a confusing phone conversation between two women, Alberto manages to get in touch with one of the callers, Claudia, a painter. The two become lovers and things are spiced up by Claudia's ambiguous sexual nature and by the presence of her former lover, Pietro. Alberto discovers a pistol in Claudia's handbag and this leads to a further revelation: she's dominated by her stepmother Greta, who forced her into a clandestine lesbian relationship; of which Claudia is ashamed and wants to end - at all costs. Alberto, now a slave to love, runs Greta over. But Claudia denies urging him to murder...

Adaptation of Goethe's novel.

In 1848 Milan, a thief and a baker witness the chaotic final days of the Italian Revolution.

This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.