Three couples meet in the middle of Carnival, trying to get together in the midst of various conflicts that have the biggest party in Brazil as a scenario - and often as a cause.

After another spat with her kids, Dona Hermínia decides to take some time off from them and hides away in her aunt's house, where she reminisces about her kids in an age when they still needed her.

At 80, Polidoro decides to demolish the stability of his comfortable life as a retired judge and become owner of a strip club.

Check out the hilarious story of luck and misadventures of Tino, a family man whose life is transformed after he wins the lottery. Dazzled by wealth, this boaster spends all his money on a life of luxury and ostentation. But after finding out that he is bankrupt, he faces comical situations: besides not telling his wife he is broke because she is pregnant and cannot get upset, Tino must accept help from his neighbor who is an extremely thrifty financial adviser and the only one capable of getting him out of the rut.

Carlão is a prejudiced man who works in a car dealership with Cadinho, Zeca and Antunes. In conversations between them, Carlão always boasts of being the greatest soccer and mechanics savvy, all amidst macho and homophobic jokes. When Evaristo is the target of such verbal assaults, he pursues him and locks him in a magic locker. From there comes Carlinhos, a homosexual alter ego that takes over Carlão's body when night comes.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. Adapted from the Brazilian classic novel 'Dom Casmurro' (1899) by Machado de Assis as an ironic/philosophical essay on poetry and jealousy, and featuring fragments of Bressane’s previous works.

Everything changes in Fani's life when the opportunity arises to do an exchange program and live in another country for a year. The revealing conversations by phone or MSN and the constant notes during the class turn to another subject: the upcoming trip.

A valet parking attendant borrows a client's car to spend the day with his son, but gets into unexpected trouble.

Rio de Janeiro, in the period in which the Police Pacification Units (PPUs) were beginning to be deployed in the city. Edna (Lilia Cabral) is the mother of Julio (Pedro Nercessian) and Silvio (Fiuk). One day she wakes up desperate to see that Julio just disappeared!