Sigur Rós have given a dozen film makers the same modest budget and asked them to create whatever comes into their head when they listen to songs from the band's album Valtari. The idea is to bypass the usual artistic approval process and allow people utmost creative freedom. These 16 films are the result. Sad, funny, beautiful and, occasionally, plain bewildering, they represent just some of the available emotional responses to this most contemplative album.

Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee’s Playhouse, and then turns them upside down and inside out to create an entirely singular video genre. In I-BE AREA, Trecartin intertwines the stories of an incredible ensemble cast to follow a day in the life of I-BE II, the rebellious clone of I-BE.

The story of Gary Valentine and Alana Kane growing up, running around and going through the treacherous navigation of first love in the San Fernando Valley, 1973.

Zu, a free spirit estranged from her family, suddenly finds herself the sole guardian of her half-sister, Music, a teenager on the autism spectrum whose whole world order has been beautifully crafted by her late grandmother. The film soon challenges whether it is Zu or Music who has a better view of the world, and that love, trust, and being able to be there for each other is everything.

For the past 25 years, Mario Diaz has crafted his own iconic image as the premier LGBT nightlife king, throwing some of the sexiest and wildest parties from New York to LA, including the insanely appealing Hot Dog, BFD and Full Frontal Disco. CLUB KING combines Diaz's personal reflections with candid interviews and archival footage from the East and West Coast's hottest queens (including Jackie Beat), go-go boys, and artists like Scooter La Forge and Justin Vivian Bond, resulting in a dizzyingly wild ride. As Diaz himself says, "It's a tough job but somebody's gotta do it."