In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.

A film about Alfonso, who was the protagonist of the third episode of Paisà (the street urchin who steals the American soldier's shoes). A reflection on neorealism, filmed with Michele Schiavino and Maria Paola Fadda, third special Sony video prize at the Locarno Film Festival.

It centres on the life of the entomologist Jean-Henri Fabre and his total devotion to studying insect behavior, travelling from Avignon to Paris, from Paris to his death in Sérignan. He is honoured by the French president Raymond Poincaré and his patience, obstinacy and knowledge are also recognised by Napoleon III, the publisher Charles Delagrave and the philosopher John Stuart Mill. They reach their climax in his book, Souvenirs entomologiques.

Television documentary about the making of Roberto Rossellini's 1945 film "Rome, Open City".

The life of the legendary Italian photojournalist Paolo Di Paolo through his photographs, which capture the essence of a fascinating and turbulent Italy, the one inhabited by Anna Magnani and Pier Paolo Pasolini, a country that no longer exists.

An interview with the president of Chile conducted by Roberto Rossellini in 1971, but broadcast only after his death.

La Balena di Rossellini origins from one of the most beautiful Roberto Rossellini's dreams, an exemplary project for his autorial path. The film conceived, but never realized, by Rossellini took shape in his notes after a trip to Chile conducted in May of 1971, a trip made to conduct an interview-portrait of Salvador Allende, then actually carried out by the director of "Rome, Open City". October 28, 1971: Rossellini, back from Santiago, Chile, reads a newspaper reports of a beached whale on the Pacific coast near a poor village inhabited by fishermen. From this simple news comes a film script for a fable about wealth and poverty. A film whose shooting Rossellini would have been entrusted to the young student Claudio Bondì, just graduated from the Experimental Center of Cinematography.

Made up almost entirely of archival interviews with Italian film director Roberto Rossellini (with audio interviews playing over various behind-the-scene bits and archival footage) the director recalls his early life, how he got into film, his political beliefs and how they were formed.

A personal and captivating account of the extraordinary life and work of Ingrid Bergman (1915-82), a young Swedish woman who became one of the most celebrated actresses in world cinema.

Ingrid Bergman and Roberto Rossellini at a gala held in Sweden in 1953.

Filmmaker Jonas Mekas films 160 underground film people over four decades.

Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.

Explores the complex relationship between the spirit, body, and mind. The film is a nightmare with closed eyes because it counts among the most terrible moments of my life, my second exile, which lasted a very long time. Inspired by an ancient Hindu legend.

Her name conjures up beauty, grace, talent and style. One of the greatest actresses of her time, she is best remembered for a natural and vulnerable persona which was so genuine and alluring. Her cinematic contributions produced such classics as "Casablanca," "Gaslight" and "Anastasia." But Ingrid's story goes deeper than the triumphs of her movie career.

In 1948, a fan letter arrived for director Roberto Rossellini from Ingrid Bergman, one of Hollywood’s biggest stars; after a meeting in New York, Rossellini invited Bergman to Italy to work on a project. Meanwhile, Anna Magnani, one of Italy’s biggest stars and Rossellini’s longtime lover, was furious. When the Rossellini/Bergman project was announced as a tale set on Stromboli, one of the volcanic Aeolian Islands, Magnani quickly set up her own Aeolian project, financed by Hollywood, to be called Volcano. Italy’s tabloids simply went wild: the prospect of these two great divas battling it out with rival productions was breathlessly followed, especially as it became clear that the Rossellini/Bergman relationship was more than professional. Francesco Patierno has created an engrossing, revealing and highly entertaining chronicle of this cinematic battle royal.

The Gestapo forces con man Victorio Bardone to impersonate a dead partisan general in order to extract information from his fellow inmates.

Commissioned by a Swedish newspaper, this news-reel like short on the life of the famous Swedish actress is a kind of ‘at home with Ingrid Bergman’ reportage, depicting her at work and spending time with her children. Kort möte med familjen Rossellini happened to be made during the production of Journey to Italy in Naples and on Capri, thereby providing us with a unique record from the making of this legendary film.

An hour with Roberto Rossellini. Interviewed by Gregoretti, the director of Paisà and Europa 51 retraces his life, his work, his relationship with the young critics of the Cahiers du Cinéma who would become the authors of the French New Wave, but also talks about his participation in the May '68 events in Paris. Passing from one theme to another emerges the thought of one of the key figures of the last century and not only in the cinematographic field, a lucid and passionate vision, typical of Rossellini, which combines science, conscience and knowledge and an obstinate faith in the capacities of Man.

Documentary about the life and works of Italian filmmaker Roberto Rossellini.

A laid-back journey in search of one of the world’s most fascinating families, observed and examined from within its most intimate relationships, where the truth and depth of a memoir meet the ironic tone of an indie comedy.