Single father Tsui meets university student Gigi who works at an old-fashioned barber shop that Tsui frequents. They bond immediately and begin a profound exchange. The fleeting friendship is a pleasant surprise during times of vulnerability, but does not help to overcome their individual challenges and demons. Tsui continues to put off dealing with a pressing matter that has long been eating him. Amidst the social unrest, Gigi’s outlook and musings on life lead Tsui to reflect on the unsolved matter and he eventually makes an important decision.

Based on real events, Kay is a tough-as-nails investigative reporter, and goes undercover at a home for the disabled based on a tip about staff abuse of the residents. She not only corroborates the frightening allegations but also discovers how disastrously flawed Hong Kong’s health care system is, especially for those who cannot care for themselves. However, after her story breaks, further unspeakable truths are revealed leading Kay on a dire crusade for justice.

Mei-chun’s family seems to get along on the surface, but everyone holds a secret. Mei-chun desperately wants to see her father again; her brother hasn’t told anyone that he has separated from his wife; and her mother still feels guilty over her husband’s departure years ago. As Mid-Autumn Festival approaches, can the family mend its wounds?

Everyphone Everywhere’s cross-cutting narrative brings together a large set of players within the mobile-communications theme. First there’s designer Chung Chit (Endy Chow), who rushes to catch a ferry and leaves his phone at home. There’s no time to retrieve the device, so he tries to soldier on without it – and the results are eye-opening. Eventually, he’ll need to call his wife Ivy (Cecilia Choi) to awkwardly help him out. Meanwhile, soon-to-emigrate middle manager Raymond Ho (Peter Chan) starts his day with his WhatsApp account hacked and frozen. Broken contacts aside, his big fear is exposure of shady workplace practices and possible blackmail or arrest. Then there’s Ana (Rosa Maria Velasco), an old classmate of theirs who’s waiting in a private kitchen and getting odd messages. And all the time a young lady, Yanki (Amy Tang), and a nerdy computer wiz (Henick Chou) are busy using messaging apps for sleazy purposes.

The annual charity gala held by the famous charity foundation "Jibatang" can be described as a gathering of distinguished guests and colorful flowers. Just before main speech is delivered, the financial director of the foundation suddenly hangs himself on the stage.

Like her directorial debut Twelve Nights, Twelve Days depicts 12 scenes of a tumultuous marriage, from its blissful beginning through its bitter collapse. On day one, Jeannie and Simon seem to have the makings of a perfect marriage, but the following 11 vignettes reveal the various conflicts, both big and small, that slowly eat away at their bond. Love may build a marriage, but Twelve Days shows that reality can just as easily shatter it.

Features three short films– Killing Me Softly, No Way Out and Memento Mori – revealing the most terrifying and ugly side of human nature. The final chapter of Tales From The Occult is unpredictable, where life and death are just a thought away.

A fortune teller fails to help a prostitute who is facing a deadly calamity. When he meets a young boss of a tea restaurant, he predicts that his bloodthirsty tendencies will lead him to a prison sentence for murder.

The film is set in a future when the central government attempts to replace every citizen’s name with numbers. In such a social upheaval, Ma Yi cares nothing but cancels an auto-masturbating machine. While Ma Yi doesn’t violate the law, he is however arrested and interrogated by the police.

Sequel of “Even Ants Strive for Survival” (2017)

High school teacher Cheng looks back to his repressed childhood memories, as he finds an anonymous suicide note in the classroom. He strives hard to prevent another tragedy from happening, meanwhile facing a series of family problems, his wife is divorcing him, and his father is dying.

This is a story about how family can impact the growth of a young woman. It follows Elaine, who grew up in poverty in the 1980’s, and her best friend Ying as they enter the Hong Kong entertainment industry to change their fate. In the golden era of Hong Kong cinema, Ying becomes a popular erotic star while Elaine struggles between her identity and her job as an actor. When Hong Kong cinema’s glory fades a decade later, the two women end up on diverging paths due to their life choices.

The Winter Solstice has been for the Chinese an important family occasion; however, will this time-honoured tradition become obsolete? The children head back to their family home in the country to see their elderly mother. All seems well on the surface, but each faces their own crisis and difficulty: The eldest brother struggles to raise several kids; the well off second sister plans to leave Hong Kong; estranged from her husband, the younger sister keeps up appearances; and the youngest brother commits to the difficult career as a farmer. The cheerful, animated conversation at the dinner table is overshadowed by simmering anxieties.

After his success as a martial arts film star, WONG Joi made a fatal decision to write and direct his debut feature Golden Sword Woman, with his beloved wife Mei-fung starring as the eponymous heroine. Years later, a senile, demented WONG, who keeps blabbering about his ‘groundbreaking’ debut, is being taken care of by his grudging son Ho. The film parodies the visual style of the Shaw Brothers martial arts films to tell the story of a contemporary father-and-son conflict and reconciliation. Golden Sword Woman travels in time and between both sides of the silver screen, between the romantic world of swordsmen and the unpromising, secular family life.

Director Sunny Chan, the mastermind behind Hong Kong’s No. 1 comedy box officehit “Table for Six”, reunites the original cast and crew for three weddings, which humorously showcase the intricate relationships amongst the three couples within the Chan family. Belief in our own blessings can bring us good fortune, but what is true fortune? Fortune and misfortune, love and hate, what is their ultimate definitions? One family, three couples, three weddings. After they decided to move on, what further challenges await them? Marriage isn’t just about two individuals; it involves a whole family of aunts, uncles, and cousins. Sunny Chan, with his unique sense of humor, once again dives into the complex dynamics of modern society’s men and women, families and romance.

Three short films about the hidden horrors that lurk behind the urban landscape of Hong Kong.

To big brother Dai, nothing is more satisfying than dining with his two younger half-siblings. But when his old flame shows up as his brother's girlfriend, kitchen nightmare strikes and it's up to his part-time girlfriend to simmer down the situation.

This anthology film features a triplet of horror stories starring up-and-coming actors and popular local Youtubers. When a film crew is haunted by paranormal activities, the director decides to cast her to play a ghost; When a taxi driver takes his girlfriend to a party room to get it on, a horny ghost adds spice to the proceedings; When a wandering ghost refuses to leave a soon-to-be-gentrified mall, the tenants concoct a plan to send her off.

A 28-year-old I.T. geek suddenly finds himself the object of affection for five attractive women within the same year. The quintet share virtually no similar traits except one quirky thing: they all live in remote corners of Hong Kong.

A late summer typhoon looms as Ting's wedding approaches. Urged on by her mother, Ting sets out from Guangzhou to Hong Kong to look for her father who has been absent for 20 years. On her trip, Ting's vague memories from the past come back to her. An unexpected encounter leads Ting to find out the truth of her family. She gets in touch with an old friend, Yuseng. They spend a night together at Yuseng's place, both feeling as if they were in a dream, searching for the lost time.

A wondrous prostitute plies her trade while living on a boat in Hong Kong. With a superhuman libido and three loving husbands, she doggedly devotes herself to her work. Using sex to satirize the era, this film brims with intense desire.

Soaring property prices drive dwellers to take every insane effort necessary to secure a cramped space, even if it means sharing the same roof with the dead.

“CHUNG LUI SOCIETY” is a boxing gym founded by the former legendary Muay Thai champion CHUNG Lui (Louis KOO), who is dedicated to training professional fighters. Despite the gym's struggles, he remains committed to his lifelong philosophy of never backing down from a challenge. Businesswoman Elsa (Louise WONG) discovers that her boyfriend Daniel (CHAN Charm Man Peter) is cheating on her with Macau's female champion, Surewin (Chrissie CHAU). Driven by her competitive spirit, Elsa vows to settle their score in the ring. Upon learning that Surewin was Lui’s former student, Elsa seeks him out to train her at his gym. There, she encounters MOK Ka Lei (Gigi LEUNG), who had previously clashed with her during an advertisement shoot. After leaving the entertainment industry to support her family, Ka Lei attempts to make a comeback, with the help of her friend LAM Pik Chu (Harriet YEUNG).