After another spat with her kids, Dona Hermínia decides to take some time off from them and hides away in her aunt's house, where she reminisces about her kids in an age when they still needed her.

Successful at work, Fernanda is an example of women of the third millennium, free to make their choices and independent. Yet in her personal life she finds herself struggling to find a husband. Like other women of her generation, Fernanda put her personal life on hold to devote herself to her career and now suddenly feels her love life situation has become an emergency. Being single at 39 is quite different from being single at 29, after all "the fertile egg has an expiration date"!

Valdomiro gets involved in yet another scheme, this time involving the same people that tricked him into losing everything - and he brings everyone from Ms. Jô's hostel along.

Dona Hermínia is back, but now rich and famous since she is the host of her own successful TV show. However, the overprotective character will have to deal with her children's departures, as Marcelina and Juliano decide to move out. In counterpart, she will welcome, as a visitor, her sister Lúcia Helena, who's been living in New York.

Clumsy old lady Dina Rocha lives with her son Marcelo. After a series of incidents at home, she moves to her house in Santa Teresa. She meets her friend Nonô and she pays a visit to her old friend. Her sons do not know where she is and they go to the hospitals and morgues. Coincidently there is the body of an old lady smashed by a truck and they believe that she is their mother. Meanwhile two smalltime thieves break in Nonô's house and keep the two old ladies locked in the bathroom. During the funeral of Dina Rocha, the dysfunctional families have a quarrel disputing their heritage.

In Rio de Janeiro, the forty and something years old Mercedes (Lília Cabral) goes to the psychoanalyst and tells the story of her life since she was a girl and lost her mother. Along the three years of analysis, her life changes and she divorces from her husband Gustavo (José Mayer) and has love affairs with the younger Theo (Reynaldo Gianecchini)

Based on the book O Fantástico Mistério de Feiurinha, the story combines real world and fantasy, dream and determination, with a surprising end, even for a fairy tale. The movie shows the fight of the fairy tale characters, now adults, who come together to recover the fable of the Little Ugly Princess, a beautiful Princess with a strange name, which only makes sense for those who know her story. The problem is that children and adults have forgotten the story of the Little Ugly Princess, which is as wonderful as other major fables for children. Cinderella brings together other fairy tale characters to meet the writer who keeps, lost in a small notebook, the Little Ugly Princess story.

Ângela Cristina, mother of teenager Maria de Lourdes, has to deal with the difficulties and delights of guiding her daughter during one of the most complicated stages of life.

Fernanda is married to Tom, with whom she has a five-year-old daughter, Joana. The couple is in the midst of wear and tear caused by living together for many years, which generates constant friction. Who helps Fernanda to overcome the crisis is her partner Aníbal, inseparable partner during the arduous journey between saving the marriage or putting an end to it.

Dona Hermínia will have to rediscover and reinvent herself because her children are forming new families. This supermom will have to deal with a new life scenario: Marcelina is pregnant and Juliano is getting married.

The 1990s marked the success of the boy-band Chocante. Twenty years later, the group has disbanded and the members took different paths in life. The old colleagues gather for an unexpected event, the death of one of the group members.

Dona Hermínia and other renowned characters from Paulo Gustavo, such as Senhora dos Absurdos and Maria Enfisema, are in the '220 Volts Special New Year'.

This film is for those who really miss Paulo Gustavo! 'SON OF A MOTHER' shows the delightful complicity between the actor and Dona Déa, his inspiration to create Dona Hermínia. With never-before-seen footage, the film follows the funny and exciting backstage of the artist's last tour. Get ready to laugh, cry and remember why Paulo Gustavo is unforgettable.