In 1882 a country girl disappears from a small Hungarian village. The inhabitants suggest that she was murdered by the Jews. Everything is done to accuse them before the trial. A study in stubbornness, racism and intolerance and how to fight against it.

Father Brown is only too happy to interfere with the work of the police in solving tricky criminal cases, usually with resounding success. That's why the clergyman is transferred to a sleepy island called Abbott's Rock. At first, nothing happens there, but somehow Father Brown seems to be attracted to crime: Soon a gang of thieves is up to no good on the island. So Brown makes the headlines again, and is punitively transferred once more. This time he finds himself in a quiet Irish millionaire community.

A German village gets a new doctor, but the conservative folk have trouble accepting a female for the job.

Albin Skoda embodies a frantic Adolf Hitler in his last days, scrambling to keep the Third Reich alive as morale within the bunker wanes and Berlin is encircled by enemy troops. Based on Michael A. Musmanno's book Ten Days to Die, Oscar Werner costars as fictional Nazi Hauptmann Wüst, a disillusioned middleman.

a silent movie by Heinz Paul

Czechoslovakian opera star Jarmila Novotna plays the title role in the Austrian tunefest Frasquita. Based on a Franz Lehar operetta, the story is the usual frothy nonsense. Dolly (Charlotte Daudert) is engaged to marry Hyppolit (Heinz Ruhmann), but she's really in love with Harold (Hans Heinz-Bollman). Hyppolit is likewise enamored of another, namely Frasquita (Jarmila Novotna). Alas, Dolly and Hyppolit must go through with the wedding, despite the dictates of their hearts. That there's a happy ending all the same comes as a surprise only to the characters on the screen.

Biopic on the life of Franz Schubert.

A non-access nitrate print is held by Filmarchiv Austria.

Karl Bockerer is a Viennese original. He survives the ‘great times’ – to his own dismay his birthday is on the same day as the one of the “Führer” – by pretending to be more stupid than he really is, and uncovers, over and over again, the hypocrisy and the uptightness of the epic nonsense in his milieu by means of real and phony naivety. Where Schweijk made a mockery of the ruling system by being a presumptive follower, the Viennese butcher strives against the tide. And he is not alone, has family and friends. His personal braveness protects him neither from the rebellion in his own house, nor from the horrors of total war…