A moviemaker hands in a script for an arty production in order to receive film funds. Due to political reasons beyond his reach, his film is not provided with a certificate of accreditation. But a true moviemaker never gives up.

After the First World War, the Allies occupy Istanbul. The protagonist, Yandim Ali is a rogue, discharged from the navy, who doesn't believe that the country can be saved, until he meets Mustafa Kemal (Ataturk), who plans to start a resistance in Anatolia against the occupying Allies, as well as the collaborators of an Ottoman government, that exists only on paper.

Children of a retired colonel come together after their father falls from the rooftop. This constrained togetherness reveals their lies day by day.

Selman is a former boxer who once was interested in anthropology, an extraordinary imam who now works in a mosque. One day, while praying in the mosque, gunshots are echoed. One of the people inside collapses and dies. The police come to the scene and collect the first evidence and start the investigation process. He takes action after this event and decides to resolve the case through some people and circumstances he suspects. Every clue leads to an unexpected point and the events become increasingly mysterious.

Fresh out of university, a Turkish young man with literary aspirations returns to his home village, and to his father, a debt-ridden man with a gambling problem.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

A documentary about the filming session of the film “The Wild Pear Tree” by Nuri Bilge Ceylan… ‘The Wild Pear Tree’ had been shot in about 14 weeks in Western Anatolia.

The boring lives of a small chicken farm's caretaker and his younger wife intersect with the seemingly fun lives of the new farmhand and his wife.

Entrenched in a midlife crisis, Aziz seeks solace from his mundane job, lonesome friends and rowdy family while pretending to have his act together.

Remake of a well-known Turkish musical comedy loved by generations, the film is about the adventures of flirtatious Hurmuz in late 1800's Istanbul. Hurmuz who lives in Taskasap, Istanbul has six husbands in a plot to solve her economic problems. She arranges to meet each of her husbands one day of the week. However, suddenly, she falls in love with the town's doctor whom she meets at her husband's barber shop. The doctor falls in love with her too... But, one night all six husbands come home at the same time, and Hurmuz and Safinaz - Hurmuz's "go-between/accomplice/friend" - find themselves in a series of very awkward yet funny situations.

The Host is a woman living alone in the middle of a vast land. The visitors that she has long waited for finally arrive. They mingle with the Host's life, both interfering with her daily routines and helping her to take a decision.

A struggling, suicidal young comedian meets a car thief who is willing to teach him a few things about his profession.

A story from Bornova, a neighborhood in Izmir. Two good friends Salih and Hakan spend their days in front of a grocery store waiting for a chance to do something with their lives.

Stories of Turkish people living in three European cities Madrid, Paris, and Berlin. Most are illegal immigrants, and while seeking for permits or living in hide outs they go through life dealing with humiliation, insecurities, betrayals, self-pity. The stories reflect the schizophrenic nature of the immigrant world, which turns the movie into something more than life in Europe.

With the death of a billionaire engaged in illegal practices, his billion-dollar fortune is up for the grabs. As his art collection is being prepared to be sold at an auction, two Turkish thieves from Germany are hired to steal valuable paintings from the art collection. Meanwhile, Seckin the fashioner designer - also the brother of Binnur, wife of the late billionaire - prepares for a fashion show in the same hotel that the robbery is going to take place. With the intervention of police, the beautiful model and her ex-lover, a hip papparazi, the two "Laz" mafia bosses seeking revenge, and the getaway driver straight out of Selcuk Erdem caricatures, the robbery is bound to go wrong. Prepare for a twist at the end as the plot unfolds towards a climactic ending...

Based on William Shakespeare's Romeo and Juliet, set in Istanbul, the tragic story of three heroes chasing an unlikely dream, running towards their sad end in a Shakespearean manner.

Riza, a garbage man becomes obsessed in her old mother when he finds a woman's corpse in a garbage can. But someday he meets with his new neighbor,a beautiful widow and starts to lose track of reality, stuck between his love and her mother.

A sarcastic, erotic, and tense gaze into the private, professional and social lives of Istanbulite artists whose lives intertwine with fiction.

Reyhan realizes that she has lost her sense of smell during a short vacation. Although the possibility of a serious illness worries her, she will follow her instincts to regain her sense of smell instead of undergoing further tests.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.