A heartbreaking story in which power, obsession, and desire will tragically mark the love between Paulina and Adrián who will fight for their love against all odds, even if it takes their life.

Carrusel is a Mexican telenovela, produced by and first broadcast on Televisa in 1989. It covers daily life in a Mexican elementary school and the children's relationships with a charismatic teacher named Jimena. Among other plot devices, it deals with the differences between the upper and lower classes of Mexican society — specifically as seen in a romantic relationship between Cirilo, a poor black boy, and a spoiled rich girl, Maria Joaquina Villaseñor.

La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela. Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.

The story is set at a prestigious, but rigid and repressive school called Instituto Vidal. Its strict owner, Julia Vidal, was once kind but has now turned into a bitter woman following the death of her husband and her daughter, Lauriel. Her granddaughter, Ana, a very sweet and intelligent 10 year old, also has been affected by the death: She has been rendered virtually speechless by the trauma, though she expresses herself through music and possesses an extraordinary ability to move objects with her mind. Ana's unscrupulous father, Francisco Capistrán, however, has taken advantage of the situation to try to steal Julia's school. The timely arrival of Ana's uncle, Salvador, Amanda and her adopted son changes everything. Ana’s sad and lonely life takes an unexpected turn for the better and she regains her joy in a series of adventures bursting with humor, excitement, music and thrilling surprises.

Violeta lives with her uncle because her mother died soon after she was born and she never knew her father, she stays with her grandmother from time to time as well. Violeta has a boyfriend named Ángel who gives her a pet dog. While at her grandmother's house, Violeta discovers a time machine that her grandfather built, so she and her friends travel to different time periods. They visit several important events in Mexican history, learning these stories firsthand.

A story of revenge and ambition, seduction and betrayal; all told from the perspective of an offended and abused woman named Altagracia. Altagracia represents the hundreds of thousands of Mexican women who have been victims of the violence by faceless men who are protected by impunity. But Altagracia, transformed into a strong-willed, ruthless man-eater known as La Doña, will seek out each and every one of these men to bring them to justice.

Rosa salvaje is a Mexican telenovela that was broadcast in 1987. It starred the popular Mexican actress Verónica Castro, who played the main character, "Rosa", co-starring with Guillermo Capetillo as her love interest and Laura Zapata as the villain of the story. This telenovela was a huge success in Mexico, Latin America, Bulgaria, Croatia, Serbia, Bosnia and Herzegovina, Russia, Estonia, China the United States, Indonesia and provided the template for numerous other Latin American soap operas in terms of story, plot twists and characters for years to come.

Mexican telenovela remake of the Brazilian soap opera "Todo o nada". Patricia is a sensitive and intelligent woman who begins to work in the firm of Ambrosio and César Augusto (father and son). They both fall in love with her, but César Augusto breaks off his relationship with his girlfriend, Valeria and marries her. Patricia and César Augusto will separate, however, they will meet again later having totally different lives: she is a working woman and he is married to another woman.

The lives of five women facing a world full of sex, infidelities and secrets.

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

See the rise of the Guadalajara Cartel as an American DEA agent learns the danger of targeting narcos in 1980s Mexico.