It's 2055 and Steevyshady, an obsessive Mimi Madamour stan, tells us of their idol’s mad destiny from the very peak of her career in 2005, all the way down to the pits of hell, a downfall brought about by her love story with punk icon Billie Kohler. Over the course of half a century we follow these drama queens as they top the charts and set sail on the course of mad queer love.

From the open air theater in the Bois de Boulogne the sex workers Heden, Claudia and Samantha, tell about the woods which is their work place.

On a Sunday morning, a group of young revelers enter a large, vacated apartment. Tired drag queens mix with debauched grannies, drunken vagrants and shy virgins over the course of the morning.

Today is a day like any other for Kalthoum and her girlfriends. They sip cocktails, look for sex on the Internet, impatiently wait for love and once again, endure the transphobic insults of strangers. But today it’s not going to be like that: the four transgender friends will imagine their revenge.

Nearly 3 hours of LGBTQ and Coming-of-Age short films and music videos await you in the debut of Altered Innocence’s cinematic mixtape supreme! Films from established auteurs like Peter Strickland, Cam Archer, João Nicolau, and Yann Gonzalez join fresh new voices such as Alexis Langlois, Shaun Hughes, Caroline Poggi, and Jonathan Vinel. Cruising, dancing, naked wrestling, trans terrorism, first love, bullies, femme fatales, band practice, and more is in store! The short films are: After School Knife Fight (2017); Bunny (2018); Doors Cut Down [En malas compañías] (2000); Gabber Lover (2016); Wild Haggis [Gambozinos] (2013); GUO4 (2019); Hunt [Jakt] (2018); Terror, Sisters! [De la terreur, mes sœurs!] (2019). The music videos are: 'Les vacances continuent' by Perez (2015); 'Niemand' by Kompromat (2019); 'Our Time' by Imperial Teen (2002).

Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show "Romy the Vampire Slayer". Unfortunately, her own demons show up.