A drama following a French platoon during Algeria's war of independence.

Les Barons ont une devise : "glander plus pour vivre plus". Chaque être humain naît avec un crédit de pas. Chaque pas effectué te rapproche de la mort. Nous, les Barons, on le sait dès le départ.

Le Gone du Chaâba (The Kid of the Chaaba), translated into English as Shantytown Kid by Naima Wolf, is an autobiographical novel by Azouz Begag about his life as a young Algerian boy growing up in a shantytown next to Lyon, France, called the Chaâba by its inhabitants. The story covers a period of approximately three years in the life of the protagonist and deals with issues developing from the clash between two cultures, that of France and that of North Africa, as well as the difficulties of finding a cultural identity between the two. The story focuses on the cultural differences between the Arab and French communities, as well as how the two groups react to each other

Set in France during the struggle for Algerian independence, Messaoud's mother is terminally ill and his father, needing to work long hours in the factory, can't look after him, so decides to put him and his older brother Abdel in foster care. Sent to the countryside, Abdel has to work on a farm, but Messaoud is taken in by a childless woman, who conceals his Arab origins from her fiercely Gaullist ex-army husband. Re-named Michel/Michou, and with his hair comically dyed blond, the young boy quickly steals the hearts of both foster-parents, and eventually is instrumental in saving their troubled marriage.

In custody after she murders her middle aged photographer lover, a fourteen year old Pam reflects back on the bohemian life she spent with her mother Lily, a free spirited cabaret performer. Lily tried to elevate her stripper performances from the level of erotic spectacle to artistic expression as she dragged her young daughter from nightclub to nightclub and hotel to hotel, but ultimately lost her at nine to the Paris child authorities.

Inspired by the true story of the first giraffe to visit France, Zarafa is a sumptuously animated and stirring adventure, and a throwback to a bygone era of hand-drawn animation and epic storytelling set among sweeping CinemaScope vistas of parched desert, wind-swept mountains and open skies. Under the cover of darkness a small boy, Maki, loosens the shackles that bind him and escapes into the desert night. Pursued by slavers across the moon-lit savannah, Maki meets Zarafa, a baby giraffe – and an orphan, just like him – as well as the nomad Hassan, Prince of the Desert. Hassan takes them to Alexandria for an audience with the Pasha of Egypt, who orders him to deliver the exotic animal as a gift to King Charles of France.

During a harsh Montréal winter, an elementary-school class is left reeling after its teacher commits suicide. Bachir Lazhar, a charismatic Algerian immigrant, steps in as the substitute teacher for the classroom of traumatized children. All the while, he must keep his personal life tucked away: the fact that he is seeking political refuge in Québec – and that he, like the children, has suffered an appalling loss.

Like every morning, François Echeveria, a bailiff, should have been able to make a seizure in a suburban city, then quietly return home. But that day, fate decided otherwise. Due to a misunderstanding, he is taken hostage by an impoverished father and his wild son...

From 1978 to 1985, he participated in several theatrical productions, before returning to Algeria in 1985 to join the National Theatre of Algeria to play the principal role in Eduardo De Filippo's production of L'Art De la Comédie. In 1986, he played in Ray Bradbury's Le Costume Blanc Couleur Glace à la Noix De Coco and created Les Aventures De Tchop, his first one-man show. He acted in a number of movies and TV shows during the period of turbulence in Algeria during the late 80s and early 90s. In 1989 he wrote the play Cocktail Khorotov and SOS Labès in 1990. The Islamic Salvation Front won the federal elections in Algeria in 1991 and this sparked a long and bloody civil war. The artist wrote Un bateau pour l'Australie-Babor Australia in 1992.[2] In 1995, after a bomb explosion during one of his presentations, he moved first to Tunisia and then to France. There he found success on stage with his plays that confronted the social difficulties of France.

Juliette, a mother of wealthy family and a little snobbish, has gradually developed a kind of generalized contempt against his fellows. One day a bunch of little naive thugs manages to remove it. Because it is often obnoxious with his entourage, his family decided not to pay anything for her release. Shocked, Ellie began to join her captors in order to concoct a revenge more expensive. The unsympathetic billionaire turns against her will in a sort of Robin embittered and vengeful wood. Soon, his family is forced to pay more attention to his kidnapping: worrying samples are taken by Juliette, free-spending ...

An ensemble piece set in a North African neighbourhood in Toulon.

Algeria, the 1930s. Younes is nine years old when he is put in his uncle's care in Oran. Rebaptized Jonas, he grows up among the Rio Salado youths, with whom he becomes friends. Emilie is one of the gang; everyone is in love with her. A great love story develops between Jonas and Emilie, which is soon unsettled by the conflicts troubling the country.

The story of a rabbi and his talking cat, a sharp-tongued feline philosopher brimming with scathing humor and a less than pure love for the rabbi's teenage daughter.

The Mozart Residence is home to several "new owners" of all origins: a new concierge, Paco, of Spanish origin, who has just been released from prison, arrives at the residence. Around it, the hall and the mailboxes, the "ballet" of the Residence Mozart is organized.

GO is not just an aging college teacher. He still is the young 18 year-old idealist who dared to engaged in social and political action to defend his principles. As a matter of fact, he was one of El Che’s last companions. It was somewhere over there, in Bolivia, in 1967. At least, that’s what he tells everyone...

10-year-old Saïd, a child of Algerian immigrants, is talented, motivated and would like to be a good student. But the conditions at the collège he attends in the Parisian banlieue hardly give him a chance. And then he is drawn into the criminal machinations of his brother.

On the outskirts of Algiers, Algeria. the arrival of the satellite dishes governs the lives of the inhabitants. Dissatisfied with their lives, they think of themselves as the heroes of American soap opera and movies, so JR, Sue Ellen, Rambo, Kojak, Spock and others take possession of bodies and minds, with many typical American culture elements. These heroes mix in a beautiful funny mess, with tradition and modernism, Islam and television, reality and fiction.

Directed by Moussa Haddad.

"Hijos de la tierra" presents a drama set a little before the 1920s, in which scattered news, stories and rumors spread the presence of a new wealth, oil, leading to the suspicion that a great change was about to take place.

Tahar, son of a wealthy family, is trying to preserve his privileged status despite the social changes brought about by the revolution. Tinted with historical symbolism, the film tells of the disaggregation of a feudal family when the father died.

In the mist of the Algerian events, a man finds a fugitive happiness beside a local woman.