Tatsuo Osone movie

1962 Japanese movie

Jidai-geki by Kiyoshi Saeki

1962 Japanese movie

A 1959 Yoshiaki Bansho adaptation of an Osaragi Jiro story.

The Nakata family, father, mother, son Hideo, and daughters Taeko and Akiko live in the poorer section of modern Tokyo. Their troubles start when the father leaves with another woman, returns after he is rejected, and leaves again with the family's money.

In 1842, in the Umemoku Mansion within Hikone Castle, Naosuke Ii, despite the tumultuous times, was engrossed in the world of tea ceremony. His friend, the Kokugaku scholar Nagano Shuzen, introduced him to a captivating shamisen master named Murayama Taka. Naosuke became deeply infatuated with her, disregarding the jealousy of his consort Shizu and the warnings of his senior retainer, Gaiji. However, upon discovering Taka's relationship with Shuzen, Naosuke promptly ended his ties with her.

From birth Hideyoshi was a restless, defiant spirit--a child of the poorest of the poor. Cast out of his peasant cottage, he would live by his wits, driven by his burning ambition to become a samurai and to find a warlord worth pledging his sword to. This is the story of his rise, and the thunderous battle he pinned his hopes on. The challenge that had already ruined and bloodied the armies of higher-ranking samurai than Hiyoshi. The battle that brought him rank, fame and fortune and transformed him into Hashiba Hideyoshi, right-hand man to the ruthless Lord Oda Nobunaga, and would drive him on to conquer Japan.

First film in a series of military-themed comedies from Shochiku.

1945 Japanese movie

First sequel to "Story of Second Class Private".

Fifth sequel to "Story of Second Class Private".

Second sequel to "Story of Second Class Private".

Christ in Bronze is a 1955 black-and-white Japanese film directed by Minoru Shibuya. It was entered into the 1956 Cannes Film Festival.

Japanese romantic comedy film.

Shochiku's commemorative 3000th film production; a suspenseful period drama.

The film features the first scene with kissing in a Japanese film. Kiss scenes were encouraged by the American occupiers of Japan following World War II as it encouraged westernization and contrasted with the traditional bow prevalent in that country.

It chronicles the experiences of a neighbourhood doctor, whose taste for tonkatsu (a popular Japanese dish, similar to a pork schnitzel) earns him the nickname ‘the pork cutlet prince’ (‘Tonkatsu Taisho’, the film’s Japanese title) from the affectionate residents of the tenement in which he lives. When a local hospital, run by a female doctor, plans to expand, the future of the tenement is called into question.