Andreas finds it difficult to come to terms with the fact that Stella, his husband Christian's niece, is becoming more and more independent at the age of seven. Stella has lived with the two men since her mother's early death. Andreas looked after her lovingly every day, which is why he has never worked, despite having completed an engineering degree. And now, as a full-time father, should he no longer be in demand and find an employer that his vita doesn't put off? Difficult. His father Herbert has never made a secret of the fact that he doesn't believe in his son's life model. The fact that the grumpy pensioner was kicked out of the door by his wife Liselotte after more than 30 years of marriage and is now moving in with Andreas and Christian of all places, harbors potential for conflict.

Amadeus is a small Punker living in a trash can. One day he has got the idea to participate in a punk concert in front of the Brandenburger Tor and convinces his friends to found a band. But still they have no instruments and thus have to gain some money. Meanwhile the eager police officer Herr Schulze is out to chase punks in Berlin and is about to interfere with Amadeus' plans...

Ecki is a sweet, closeted gay man who works in his family’s bakery and plays goalie in his small town’s soccer team. When he both loses the big game, and is caught flirting with another player, his homophobic teammates throw him out. He vows to return one day with an all-gay team that will grind the heteros into the dust, so he sets off to find his “dream team.” With the help of his nurse sister, Ecki scours local gay bars and eventually assembles a hilariously motley but endearing crew of misfits that includes a leather-daddy threesome, a femme Turk with Beckham fantasies, a secret straight guy in love with the sister, and a seriously cute nurse eager for some private play-time with the goalie. Ecki now has two problems – turning this bunch into a team, and facing his own fears regarding his first romance.

Germany, 1971: Erika (Anna Schudt) is actually completely overwhelmed by her work in the butchery of husband Kurt (Christian Erdmann), the education of three common children and additional obligations, which brings the village life, as her doctor also revealed that she is pregnant again. Another baby is the last thing she needs now, and so she decides to drive to her sister Charlotte (Alwara Höfels) to Cologne and let the baby abortively secretly abort. Since there are complications during the surgery and Erika can only be rescued, but her husband still learns from the matter. It comes to a huge dispute, in which another topic is the future of daughter Ulrike (Lene Oderich). Without further ado Erika then packs her things and moves with her children to Charlotte. But at a time when legislation inevitably makes her dependent on her husband, she is denied a self-determined new beginning. Erika decides to do something to change that ..

While investigating of a murder case, widowed police commissioner Lenders makes a confusing discovery; one of the victims comes from a different time. Did an implanted chip make this time travel possible? More victims follow. What is the motive behind the murders? And what is the connection between the victims? Can he use the chip to change his own life story?

The Return of The Neanderthal Man is a screwball comedy with a Freudian twist. The story of a young woman's quest to find the perfect mate, who is embodied in a 10,000 year old Neanderthal Man. A tongue in cheek look at relationships in our modern age, The Return of the Neanderthal playfully examines all of our preconceived notions about love and romance and turns them inside out and upside down.