A mysterious artifact unearthed below a London subway station proves to have powerful psychic effects on the people around.

A group of scientists are possessed by an alien force when they investigate a meteor shower in a rural field.

An occult investigator buys the 150-year-old skull of the Marquis de Sade, which turns out to be possessed by evil spirits.

Anthropologist Dr. Brockton unearths a primitive troglodyte -- an Ice Age "missing link": half-caveman, half-ape -- in a local cave. Through medical experimentation, she manages to communicate with him and domesticate him before he's let loose by an irate land developer and goes on a rampage, terrorizing the local citizenry.

A police inspector (Donald Sinden) tracks down Russian anarchist Peter the Painter (Peter Wyngarde) and his gang in circa-1911 London.

A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.

Thieves disguised as soldiers plan to use a bomb scare as part of their plan to rob a bank.

Arriving in the town of Tombstone, the First Doctor finds himself involved with gunmen out to kill Doc Holliday...

A businessman organises a caper to steal the Crown Jewels from the Tower of London.

Three vignettes of old Irish country life, based on a series of short stories. In "The Majesty of the Law," a police officer must arrest an old-fashioned, traditional fellow for assault. The man's principles have the policeman and the whole village, including the man he slugged, sympathizing with him. "One Minute's Wait" is about a little train station and glimpses into the lives of the passengers, with a series of comic setups. The third piece, "1921," is about a condemned Irish nationalist and his daring escape.

Robert Ross (Brent Carver) lives a protected adolescence in a well-off Toronto suburb. Secretive and withdrawn, he shares his thoughts only with his sister Rowena (Anne-Marie MacDonald) who is mentally disabled. He feels compassion for his weak and conventional father. He avoids any confrontation with his mother (Martha Henry), a dominating woman whose despondency at having given birth to a handicapped child has turned to bitterness. Rowena occupies a central position in Robert's existence of daydreams and make-believe. When she dies, Robert clashes openly with his family, and decides to take himself in hand. It's 1914. He enrolls in the Canadian army, and, after training in Alberta and Montreal, he finds himself in England and France. The war becomes another way for him to resolve his conflicts, his dramas, his passions--his wars.

Trouble strikes when an exhausted pop singer, sent on a vacation to a farm, realizes that the farm's owner grows deadly bees.

Can Theodore Quill, a self-styled Casanova, face the truth of his affairs?