A group of friends on a climbing vacation ignore warnings that the mountains are closed and start their ascent anyway. Collapsing bridges, bear traps and other dangers threaten to splinter the group… when the real hell begins and an unseen villain begins picking them off one by one.

Sarah seems to have the world at her feet. She's young, bright, pretty, free spirited yet hard working, with a real passion for life. Then, in just one day, she loses her job, is told she will have to move out of her apartment, and discovers she is seven months pregnant.

A group of young people are organizing. One night, they face the police who came to evacuate an African squat. Carmen meets Hussain, a young afghan poet. Crazy in love, they don’t leave each other. But a curse hangs over the city, papers are carrying death, bodies are falling. Panicked at the idea that he could get arrested, Carmen forbids him to go out, and locks herself with him. Gradually, Hussain get the feeling that she is watching him…

The middle-aged titular heroine (Masiero) of this bare-bones, Dardenne-esque debut has certainly fallen on hard times: Living between her car and a storage shed, working a part-time job as a hotel chambermaid, and trying against all odds to obtain public housing, Louise scrapes by on a day-to-day subsistence that’s only a few Euros away from skid row.

The day his bank refuses to finance him, Georges will do everything he can to save his shipyard and his employees.

At 33, Arman has decided to change his life. He starts by running. It’s a good start. Amélie carries on with her life. She runs, as well. The first encounter is a shock. The second is a stab in the heart.

A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.

Two soldiers, Daniel and Jerome, flee a war we don’t see and we know nothing about. Jerome is badly injured, he will die, he says it, he knows it, he is afraid. Then Jerome confesses to Daniel his last will: he does not want to die a virgin, he wants to die loved…

Marco, in his thirties, is a little lost and tormented at the thought of truly settling. A former war photographer, he no longer wants to cover conflict and is more interested in the world of longshiremen.

Xavier is a 40-year-old father of two who still finds life very complicated. When the mother of his children moves to New York, he can't bear them growing up far away from him and so he decides to move there as well.

Eve, deposed princess, survives in a ruined country, with her servants, Yves and Anna.Her earthy flunkeys organize her absurds, poetics and violents recreations.

An aging movie actor who is preparing to shoot a death scene finds himself visited by the spirit of a dead, long-ago lover.

Over there, in his village at the foot of the mountains, he’s dead. His face radiant and his body at peace, he lies on the bed. Then they can gather around him. Three days long they talk, drink, weep, fight and remember… And they smile, too.

A disturbing cloud has appeared from the west. It moves slowly towards the centre of the country, prompting the population to take to the roads. As it advances relentlessly, panic increases. It is a cloud of acid.

Simon is an experienced doctor who rubs shoulders with death on a daily basis as part of his job in an intensive care unit. Like any good professional, he has learnt to shield himself from it. But when his mother is hospitalised in a nearby unit, and is in a critical condition, his private life and professional life clash spectacularly. Simon’s whole world, and all his certainties and beliefs, are shaken to the core – even to the extent of re-evaluating his career...

Jim loves Dany. Accompanied by Billy, an orphan kid, he has to go to his own wedding, but nothing happens like planned since he decided to live like a cowboy.

One of the misfortunes of Boris Vian - and a misfortune for those who love him - is to be born and especially to be dead a bit too soon to have known the new wave. We saw him actor in "A pocket love" and "The Bel Age", Pierre Kast, in "Dangerous Liaisons 1960", Roger Vadim, where he held the role of Prévan, which was like a glove . His friend Prévert had designed him the cardinal's role in "Notre-Dame de Paris" by Delannoy. But never did Boris dare to put on the stage what he had written for the screen: he believed the thing impossible. An episode from the tv-mini-series "Collection rue des ravissantes: Boris Vian fait son cinéma."

Yves has accepted to plant an experimental cornfield on his farm. This decision allows the couple to be more financially stable. As they have a baby on the way, everything seems to be on the up. That is, until one day, when Yves discovers some strange sap flowing down an ear of corn.

The mayor of Lyon, Paul Théraneau, is in a delicate position. After 30 years in politics, he is running out of ideas and is faced with a feeling of existential emptiness. To overcome this, Paul hires a young and brilliant philosopher, Alice Heimann. Then follows a dialogue between two diametrically opposed personalities who will turn their certainties upside down.

Pierre Perdrix has been enjoying an enchanted though restless existence since the enigmatic Juliette Webb burst into his life. a stranger who landed in his family's unique world like a meteorite, and who by her presence alone will force this tight-knit microcosm to redefie their boundaries and finally begin to fully live their lives.

“La nuit d'avant is the work of a true cultivator of tradition. A seventeen-minute masterpiece that has precisely to do with the act of transmission. I have found a very powerful similarity between the film that is at the origin of this short - The Clock, by Vincente Minnelli- and Rossellini's Viaggio in Italia. We could continue elaborating and extract a thread from this. I find it very exciting to be able to start pulling this thread with a film that has been made this year (2019), instead of starting with its birth." - Paulino Viota

A man is born. He is ephemeral. He will only live a day, during which he will go through all the stages and ages of life, growing old by several years every hour. Like a visitor from elsewhere, he encounters, discovers, and tries to understand this world in which has been born.

Chronicle of the last months of Marie-Antoinette.Accused of having conspired against the new republic,with her children taken away and guillotined husband,in a rigged trial as the result of political negotiations and power struggles.

Andrea, a drifter, lives an insecure life on the shores of the Garonne. On the verge of sinking for good, he comes back to life one last time, to live a love dream with two women he fiercely desires. With tenderness they accompany him in his last journey, over the water, towards the ocean, towards the unknown.

Jack, 19, Lisa, 17, and Mathis, 10, abruptly become orphans. Each sibling reacts differently to the family tragedy: Lisa spreads her wings. Jack, having just become of age is appointed as his brother’s guardian by court decision. A new life begins. But how does someone just barely out of adolescence himself become responsible for a child? And how does one construct a future when the past has become a dangerous obsession? Fortunately, youth’s strength and energy can work miracles…

At 33, Arman has decided to change his life. He starts by running and bumps into Amélie. From there, he will relentlessly seek her.

Nelie escaped a miserable existence by becoming a frontline nurse in 1914. One day, she takes the identity of Rose, a young woman from a good family, who dies in front of her. She presents herself in her place at Madame de Lengwil's house, to become the reader of this wealthy woman.

An Easter weekend in a country town. On duty at the police precinct, lieutenants Francoise Ruiz and Clementine Arpinon are dealing with day-to-day matters. The ad hoc boredom arouses the tension between these two women that have very little in common. An intervention for disturbances of the peace at night gives them a chance to go beyond confrontation.

Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.

When their father dies, Louise, Fabien, and Estelle feel helpless as they confront the task of taking care of their schizophrenic brother Jacques. For Louise, the experience will be life-changing.

Who, apart from moviegoers, knows Alice Guy (1873-1968) today? However, she was the first woman behind the camera and the first female director and producer of fiction films in history.

To follow a new trend initiated by American advertisers, a female director, Margaux Bonhomme launches a casting to find women who speak, with the collaboration of casting director, Alexis Millet.

Who has never heard of pregnancy denial? This condition, often caused by miscellaneous circumstances, escapes our understanding and even science. How can the mind of a pregnant woman hide a child growing in her body?

Emma and Paul just moved into an old suburban mansion when Paul is forced to leave on a working trip. Isolated and clueless, Emma discovers a Praying Mantis and develops a strange bond with the insect. Until Paul comes home again.

Étienne is barely twenty when he falls in love with Valérie. They are hardly any more when their daughter Rosa is born. And then, one day, Valérie leaves and never returns. He chooses not to make a drama of it and builds a happy life for him and his child. Sixteen years later, when Rosa is about to lead her own life, Étienne recognizes his wife in a television report. The past brutally resurfaces, and father and daughter are propelled into one last chaotic family journey.

A CEO for a television channel finds his life torn apart after he wakes up from coma.

Joseph learns that his son and his companion have just perished in an accident. They were expecting a child via a surrogate mother in Belgium. What will become of their future baby? Is Joseph the legitimate grandfather? Carried by the promise of this birth which will prolong the existence of his son, the sexagenarian goes to meet the young Flemish woman with a fierce and indomitable character.

Sophie is a brilliant student. Encouraged by her maths teacher, she leaves the family farm to attend a science preparatory class. Between new encounters, successes and failures, and faced with fierce competition, Sophie realizes that her dream of joining the Polytechnique represents more than an entrance examination but a true challenge of social climbing.

Mimi is 29 years old and still dreaming about a job she could get. She meets Paul, a sidelined lawyer, as she decides to seek employment. Together, they will defend Christophe, a conman who proclaims his innocence.

In the late 19th century, a chambermaid from Paris relocates to a remote household in Provence, engages in trysts and finds herself enraptured with a coach driver.

Michael, a young medium, falls in love with Alice, who is shaken by the recent death of her life companion. The two are forced to confront their "ghosts" in order to get their lives back on track.

When she arrived at the Elysée Palace, Bernadette Chirac expected to finally get the place she deserved, she who had always worked in the shadow of her husband to make him president. Put aside because she was considered too old-fashioned, Bernadette decided to take her revenge by becoming a major media figure.

April 2020––Lockdown. Etienne, a film director, and his brother Paul, a music journalist, are confined together in their childhood home with their new partners Morgane and Carole. Every room, every object, reminds them of their childhood, and the memories of the absents––their parents, their neighbors… This compels them to measure the distance that separates them from each other and the roots they share, those of their ground zero. As the world around them is becoming increasingly unsettling, unreality, and even a disturbing strangeness, invades their daily gestures and actions.

This year, 36 actresses are being highlighted by the Revelations Committee of the Academy of Cinema Arts and Techniques. Lukas Dhont, a true revelation himself since his first feature film, Girl, was awarded the Caméra d’Or at the Cannes Film Festival in 2018. He chose to feature this new generation of talents within a “dance marathon”, these exhausting competitions which took place in the United States during the Great Depression, magnificently immortalized by Jane Fonda in a film by Sydney Pollack in the 60s. Through the artistic vision of Lukas Dhont, it is no longer a question of confrontation, but on the contrary, of solidarity and cohesion. Times are changing... Revelations draw their strength from unity.