A young couple is living at his parents' apartment. Frustrated at not being able to provide for themselves, they fight. She decides something has to change.

Stevan Jakovljević, a biology teacher and World War I veteran who fought for the Serbian army, arrives to the celebration of the twentieth anniversary of the end of the war and the opening of an ossuary in the village where he used to be stationed with his first company, the Fifth Artillery Battery. There he encounters only the aged Commander, and through their flashbacks we see the fate of the Fifth Battery which was disbanded in that very village.

A chief mechanic at a factory, haunted by apocalyptic nightmares, becomes a hero when Earth is invaded by a mysterious army bent on destruction.

In the focus of Djurdjevic's only seemingly "simple" plot are three urban 30-year-olds, stuck somewhere on the first life curves - either because of an inferiority to an employed wife, or because of their inability to prove themselves through superficial sexual adventures, or the overwhelming urge to humiliate his friends behind the "mask" of innocent jokes. However, the equally important protagonist of the play "Don't Bet on the English" - the protagonist who is both inside and outside them - is one of the essential demons of human nature: a passion for gambling, more precisely betting. An emerging form of this obsessive passion is, for Djurdjevic's heroes, betting on the results of matches of various national football leagues.

The fitness trainer's control over the perfect bodies surrounding him stirs up his ever-growing desire. Heavy weights and loud music hide a slowly burning chaos. Is his established order coming to an end?