Based on Érico Verissimo's literary trilogy, The Time and the Wind follows 150 years of the Terra Cambará family and their opponents, the Amaral family. The struggles between the two families begin in the missions and lasts until the end of the 19th century. The film also features the period of formation of the state of Rio Grande do Sul and the dispute of territory between the Portuguese and Spanish crowns.

Apnea presents a week in the life of Chris and her friends. Chris does not want to sleep. Afraid of her sleep apnea and her own unconsciousness, Chris stays up several nights in search of some sort of sense to her life that she did not see during the day, always living on the edge of her own body, and of existence itself, and dragging everything around with her.

Over a tense day in the emergency hospital, we follow the surgeon's work Evandro and staff in three cases that require risk surgery: a drug dealer, a military police officer and a rich family child, all injured during a shootout in a slum next to the hospital.

Inspired by Jorge Luis Borges’ The Disinterested Killer Bill Harrigan, Garoto follows a young couple who find themselves in an enchanted place where they experience an amorous and spiritual adventure.

Luiz Mario, a São Paulo night-club impresario and a classic "bon vivant", is also an avid collector of love affairs. He is surrounded by all types of women, with whom he has torrid flings, but he is never able to emotionally involve himself. Until one day, while passing by Rio de Janeiro, he falls head-over-heels for the carioca Malu, who practically runs him over on her bike while riding down Leblon's beach bike path. The couple's fervent romance is abruptly thrown into disarray when an enigmatic love letter is discovered. From then on, the story between the two lovers is turned upside-down. Luiz Mario is consumed by jealousy and his emotions slowly seep into his relationship, destroying everything.

In Lisbon, Marcelo writes a novel, using the life of his own wife, Beatriz, as the main inspiration to the story. The creative process of the book takes a dangerous path, ultimately compromising the love they feel for each other.

Clara, a lonely nurse from the outskirts of São Paulo, is hired by mysterious and wealthy Ana as the nanny for her unborn child. The two women develop a strong bond, but soon Clara discovers a terrifying secret about the child.

In the thirties, two sisters separated by fate face prejudice and sexism, one by the high society in a big city and the other by a group of renegades in the countryside. Despite the distance, they know that they can only count on each other and both of them will assert themselves in their own and surprising way.

A man who lost his taste and his blind wife; an almost deaf girl and her consumerist stepmother; an adult movie actor in love and his completely passionate woman; a sign language teacher and his dilemmas with dumb students. Characters full of love and full of inabilities to cope with their emotional side.

Marked by losses and mismatches, José's eccentric family seek to be happy while locked in Paraíso Perdido, a nightclub that has stopped in time, where they sing popular romantic music.

A concert off Marjorie Estiano's first tour, recorded in São Paulo.

The story of three friends, talking about love and past relationships as they go out on a night in São Paulo.

Two animal road corpse removers end up finding a dead woman and decide to collect her body clandestinely.

A survival horror set in 1996 during one of the biggest tropical storms ever to hit Rio de Janeiro. Ana and her firefighter team must evacuate a nursing home at risk of its collapsing – but they soon find the mysterious residents in the house have other plans.

Two couples who discover that their teenage children are involved in a murder.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!