Using the interrogation of a US counterinsurgency agent as a backdrop, the film explores the consequences of the struggle between Uruguay's government and the leftist Tupamaro guerrillas.

A Chilean returning to Santiago to find out what has happened to his native country while he has been away, discovers much about himself.

In a bar in Santiago, two old men talk over their past. This is a strange discussion. In fact, they talk of themselves as if they were dead. We don't know what is true or false, what is dream or reality.

The political evolution in Chile seeing from three different times: 1937, 1947 and 1970. A film that shows how a revolution cannot be accomplished by electoral means, and how the wealthy class will always attempt to destroy that revolution, with the help of the armed forces, as soon as their privileges are threatened.

This stark Chilean melodrama concerns itself with the plight of slum dwellers living outside Santiago. For many years they have, with great difficulty, been faithfully paying small sums to a real estate man. This man has said that by doing so they can obtain title to the miniscule plots of land their houses stand on. In fact, he has been swindling them and does not even own the land he has been "selling." One of the aggrieved slum dwellers confronts him about this while he is visiting the slum, and the real estate agent shoots him before everyone's eyes. The question confronting these witnesses is whether testifying against this monster will make their lives even more precarious.

A small house is devastated by the irrepressible force of the Ñuble river. Anita is rescued from the riverbank while her parents disappear into the water. She is given in adoption to her godparents, who can not keep her, they turn her over to a large hacienda in the area, where the little one will be the companion of the sickly patron, Lucia. When the owner of the hacienda dies, Anita, disregarding the advice of the other servants, stays to serve the boss, Don Pablo. She is already a woman and he is a single man. A strong attraction emerges between the two. This sad story of love and revenge as strong and uncontrollable as the overflowing waters of the Ñuble River.

Anita, a 15 year old teen fells in love with the new neighbor who happens to be twice her age, they romance is stopped by the parents of the girl, the man tells her to hid in a Dovecote until he comes back and they could escape together.

A teenager visits his mother in search of affection. She lives semi isolated from the world, on a house facing the sea and in the company of a woman. The meeting of both characters will be rather a disagreement that will throw the young man towards other characters that will be moving further away from his mother until he disappears. Only at that moment will she feel the weight of his absence.

An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".

A man takes his insecure, overweight paramour to a seaside resort to consummate their relationship, but there he stumbles onto an artistic discovery that will change his life.

A man squanders all of his wife's fortune in gambling and drinking. Now in financial crisis, the woman tries to keep their home afloat, while he plays, gets drunk and lives off his friends charity and good will.

Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.

Starts a love story between an art student and a medical student, narrated from Monday to Sunday.