Ghost is an ideological musician and leader of a jazz band who would rather play his blues in the park to the birds than compromise himself. His peripatetic performances lead him to cross paths with a singer, while his masculinity is thrown into question following a violent brawl.

German director Hans Noever shot this crime drama in the U.S. in English, an unusual achievement at this time. The setting is Jefferson City, Missouri, and Joseph Randolph, a VIP in a fictional electronics company, has just gotten the sack. The company bigwigs insist it is simply because of downsizing, but Randolph is not buying it. Enraged, he gets a handgun (this is the U.S.) and shoots five managers to death. Then he turns himself in and is eventually put in a psychiatric hospital by the police. His family suffers a series of tragedies that leave only his daughter to wonder about why her father was committed to an institution. She joins with a visiting reporter from Chicago and another interested man, and all three start digging deeper into the company's history.

A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave the country together. But mindless enthusiasm for regained freedom will be short-lived.

The relationship between Lelia, a light-skinned black woman, and Tony, a white man is put in jeopardy when Tony meets Lelia’s darker-skinned jazz singer brother, Hugh, and discovers that her racial heritage is not what he thought it was.

A Kentucky slave fights for his freedom from cruel overseer whose mistress eventually joins Davis and the other slaves in their revolt.