1953 bollywood film

Durga Babu, and his wife, Ganga, comes across Shyam, an orphan, who sings and dances on special occasions, and decide to take him home. Shyam meets with their daughter, Radha, and she slowly falls in love with him, but he thinks that she just wants to be friends. In his eyes, Shyam wants to be a free person, not tied down to anyone or anything, and would like to spend the rest of his life wondering, singing, and dancing. When he finds out that the family intend to get him married, he likens his plight to that of a caged bird, and flees, breaking Radha's heart. Will Shyam ever return? What impact will this have on the family?

Snake Goddess Mansa is having a bad day. It's her birthday but she is restless and irritated by her followers in Naglok. Fortuitously Nagraj turns up and she manages to cajole him into revealing the name of her father, who is none other than Lord Shiva.

Parents very often want to inject their own likes and dislikes and way of living in their own children. Such impressions leave a deep scar in the subconscious of the child which affects his mental growth and behaviour pattern when he attains the youth. Through the story of Shashi and Arati EK NAO DO KINARE pleads for the independent growth of children.

A version of the epic Indian poem "The Mahabharata", telling the story of the war between the families of the Pandavas and the Kauravas, descending from the same ancestor.

A snake princess marries the Prince of Lanka, Indrajeet Meghnath, son of King Ravan, and endures the curse of a snake, whose spouse was killed accidentally by Meghnath while riding on their chariot. Also depicts the reincarnation of Lord Vishnu as Lord Ram, Goddess Lakhsmi as Goddess Sita, and Lord Shesh Naag as Lord Lachman, leading to the battle of good versus evil as told in Holy Book: Ramayan.

A forest conservator works with a tribal clan during the British rule over India. He consciously does several marriages to expose the sly men who are playing with the sacred institution of marriage.