On his 50th birthday, a man who's been watching his weight, health and temper all his life suffers a heart attack. He's been doing everything he was told he should do and it still didn't help. He decides to turn the page and let loose.

17, rue Bleue is an autobiographical drama about an Algerian immigrant's self-destruction in Paris. In it, director Chad Chenouga recounts how his mother, Adda, came to France as an illegal alien, hoping to escape the haunting secrets of her native land, and seeking a new life of wealth. When Adda falls in love with her employer, a wealthy Parisian named Merlin, she believes her fortune is within reach. But troubles begin when Merlin suddenly dies, leaving behind no clear will. Adda, believing in the Algerian superstition that a beauty mark on her son's hand signifies great wealth to come, throws herself into a losing court battle to win Merlin's estate. As legal defeats mount up, Adda turns to drugs, driving away friends and family members, until she's left with only her son, Chad. When he turns 16, his mother dies from her many years of drug abuse.

"To invent a wife when you're single, and you want to seduce a young woman who claims to be attracted only to married men, you still have to lie. To make your new conquest believe that you live in the superb duplex that you keep during the holidays, you must always lie. For Serge, this cascade of lies will lead to new catastrophic fabrications, but also reveal astonishing truths. His professional and sentimental life will be turned upside down, dragging his best friends into its whirlwind. The only certainty of this story, is that WITHOUT LIE, nothing would have happened. "

To celebrate Yves’ 50th birthday, his friends plan to take him to the sunny paradise of Paros in Greece. But due to a cancelled flight, the holiday will take place in a far less glamorous and much rainier destination: Yves’ family home in Brittany. During the vacation, their bonds are challenged by Antoine’s constant complaining, Yves’ pride, Baptiste’s superstition and Laurent’s jealousy of Jean-Mich’s perfect life and family. On top of that, Antoine’s supposedly harmless joke – offering Yves a DNA ancestry test – has unforeseen consequences…

How, thanks to what's known as the "Butterfly theory" (a random series of unlinked events), can a young woman and a young man meet?

A man discovers he's no longer as close to his ear as he once was in this absurdist comedy. Jeff is minding his own business when a phonograph record tossed from a passing car accidentally cuts off his ear. The ear falls into traffic, gets stuck on the windshield of another vehicle, and begins a long, strange journey, passing from car to car and hand to hand across the country. Jeff, however, can still hear whatever his separated ear is picking up, and is trying to follow the sounds in hopes of catching up with his former body part. However, a doctor warns him he only has a few hours to find his ear, otherwise reattachment will be impossible; in the meantime, Jeff's former girlfriend wastes several of his precious minutes with a discussion about the notion of giving their relationship another try.

Gardien à la Santé, Alex mène une petite vie tranquille aux côtés de son épouse Louisette et de son collègue et copain René. Muté au quartier des V.I.P., il se voit proposer par l'un des détenus, Bertrand, un businessman condamné pour affaires frauduleuses, un étrange marché : Claire, l'épouse de Bertrand, a décidé de se séparer d'un mari devenu encombrant tout en profitant de sa fortune. Alex est alors chargé de lui proposer une affaire financière alléchante mais bidon qui pourrait permettre à Bertrand de récupérer son argent. Désireux de mettre un peu de piment dans sa vie, Alex accepte de jouer le jeu et de se comporter pendant ses soirées en homme d'affaires suisse et discret ! Claire est séduite. Très vite, Bertrand réalise qu'Alex s'intéresse vraiment à sa femme, Claire découvre la supercherie financière et Louisette la trahison conjugale...

Why do we often go to dinners we don't want to attend, to see friends who aren't really friends anymore? Out of habit? Out of kindness? Out of cowardice? Intoxicated by the idea of tidying up their schedules by sorting through their old friends, Pierre and Clotilde Lecoeur (played by ERIC ELMOSNINO and LYSIANE MEIS) decide to organize farewell dinners, the ultimate form of friendly divorce. However, by choosing - as their first victim - Antoine Royer (played by GUILLAUME DE TONQUÉDEC), their oldest friend, Pierre and Clotilde are unaware that they are getting caught up in a downward spiral.