Adaptation of Mary Shelley's novel about a scientist who brings life to a creature fashioned from corpses and various body parts.

When Marta Walraven's mob husband is brutally murdered, she takes on gangsters and the FBI to unveil the truth about his death. As she digs into this dark underworld, she'll test her own strength, relying on her resourcefulness, determination and family ties like never before. To get out of this mob, she needs to beat the bad guys at their own deadly game.

Archeologist Jack Wilder stumbles upon clues to the whereabouts of the fabled Incan city of El Dorado. He finds himself tracked by a deadly mercenary and captured by the corrupt Peruvian army. He is rescued by an ex-lover, Maria Martinez, who joins him on his quest to find the legendary golden city.

Going Live! was a Saturday morning magazine show, broadcast on BBC1 between 1987 and 1993. It was presented by Phillip Schofield and Sarah Greene. Other presenters included Trevor and Simon, Peter Simon, Emma Forbes, and puppet Gordon the Gopher. The show was broadcast during the autumn to spring seasons, with other shows such as the 8:15 from Manchester and Parallel 9 taking over during the summer months. It was preceded by Saturday Superstore, and succeeded by Live & Kicking. In 1988, when the second series started, Greene was hurt in a helicopter crash with her then boyfriend, Mike Smith. Guest presenters stood in for her including T'Pau's Carol Decker. Similarly, in 1992-93 during the final series, Schofield was starring in Joseph and the Amazing Technicolor Dreamcoat and was unable to present the show. A third presenter took his place. Originally, Neighbours actor Kristian Schmid took the role but soon left after problems with his work permit. Various other celebrities to stand in included Shane Richie and Robbie Williams during his Take That days.

FBI Special Agent Olivia Dunham, brilliant but formerly institutionalized scientist Walter Bishop and his scheming, reluctant son Peter uncover a deadly mystery involving a series of unbelievable events and realize they may be a part of a larger, more disturbing pattern that blurs the line between science fiction and technology.