In the First Republic (1889-1930) as well as in the Vargas Era (1930-1945) the traditional terreiro communities were criminalized, their religious leaders were persecuted and their sacred objects were seized. In Rio de Janeiro, more than 200 objects were seized by the police, and after the end of the official criminalization, they became part of the collection in the Museum of Civil Police. The documentary The Sacred within us deals with the past of persecution towards traditional terreiro communities, the "Black Magic" collection found in the Police Museum, the difficulty of access to the collection by religious, researchers and the population in general, as well as the struggle for to release the sacred objects that have been in the possession of the Civil Police of the State of Rio de Janeiro for 100 years.

A record on Brazilian samba school Estação Primeira de Mangueira's victory on the 2016 carnaval parade. Mangueira's parade that year was a homage to singer Maria Bethânia. The documentary also follows Bethânia on the celebrations of Our Lady of Purification, in Bahia, northeast of Brazil.

A short film on Getúlio Marinho, musician and pioneer on intrudicing Afro-Brazilian religious music in the recording industry.

This documentary accompanies the journey of artists who exalt and celebrate ancestry and the orishas in their work. It also offers a manifesto against one of the biggest problems facing Brazil: religious racism. The feature brings together stories from music, theater, fashion, dance and the visual arts to promote reflection on the power and importance of black representation, art and diversity

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

Maracanã was built for the first World Cup in Brazil in 1950. Initially, it had a democratic space called General. The record analyzes the recent works in the stadium and shows classic fans.

A film about the universe of Clementina de Jesus, singer revealed at the age of 63 as one of the greatest voices in the history of Samba.