To increase sales of the magazine Veckohatten, the management decides to invest heavily in the beauty contest Miss Sweden. A communist cell is planning to sabotage the competition, because it is sexist.

Narcissa and Elina work in a small town social service office and have various erotic encounters with the people who visit it.

Steve works as a locksmith and one day he meets Lotta in his work. After helping her get back into her apartment they decide to see each other again. Though they are dating Steve still goes out with other girls, and in situations like this a big city quickly becomes a small town.

Having gone through many personal struggles, Eli (Lil Terselius) returns to her native village and begins to work on the farm of Ingeborg Eriksdotter (Anita Bjork), eventually tending a plot that once belonged to her family. But Eli has been gone a long time, and the opaque villagers see her as an outsider—she is suspicious from the start. The year is 1625, and stories of witches conjuring up evil are a part of the daily culture. Eli unwittingly makes matters worse for herself when she is able to cure the sick with herbs, and when she begins an affair with Aslak (Bjoern Skagestad) a farmhand—clearly she must have cast a spell on him. This all adds up to a witch hunt with a ready-made "witch." Eli, in the end, is officially accused of witchcraft by a devious bailiff, while Ingeborg makes every attempt to save her, and Aslak himself does not survive the stress—hardly a good omen for the outcome of the trial.

This co-production between Norway and Sweden is the first film that Anja Breien has made since Wives. She has adapted a novel by Hjalmar Soderberg. who also wrote 'Gertrud' from which Carl Dreyer's last film was made, and Doctor Glas' (made into a film by Mai Zetterhng) Games of Love and Loneliness, concerns the manners and mores of Scandinavian society between the years 1897 and 1912. A young journalist, Arvid, falls in love with a girl but won't commit himself to marrying her. She marries an older and richer man and he's pushed into marrying the girl he's been sleeping with. He meets his first love again, and she leaves her husband to have an affair with him, but he still cannot bring himself to leave his wife. Although Anja Breien has changed the character of the girl to make her less of a femme fatale and more of an emancipated woman, the film's central concern is the young man who cannot make up his mind what to do with his life.

A tale about the Coriander family at the turn of the century.

A German sociologist goes to Sweden to investigate whether the Swedish sin is myth or not. He stations himself in a student home for girls. His fiancée in Berlin fantasizes about the study, and to allay her worries she packs her bags and goes to find him, to convince him to come home.

The teenage Birgitta discovers the game between men and women and she turns from a shy 12-year old to a provocative 15-year-old, seducing the men she meets on the daily train ride.

"A Shadow" - Henry Kendall, Elizabeth Allan, Sam Livesey. An old dark house on a gloomy night is the setting for this British horror thriller about a mad killer, dressed completely in black, who bumps off the inhabitants one by one.

Lena Svensson has been offered a new and exiting job in Stockholm that she can't say no to. But her husband, Gustav, has no plan of what so ever to move from his quiet little town of Vivalla, and especially his job as a very proud postman. After Lena started to commute between Stockholm and Vivalla, he decides to sell the house and give Stockholm a chance. He starts of with a job as a postman in one of Stockholm's worst districts, but after a mistake on a conference, Gustav seems to do quite a success at his new job, while Lena is struggling with annoying colleagues and a demanding boss.

Three women in different ages. Based on the theatre play Three Tall Women by Edward Albee.

On a shooting range outside of Stockholm in the raw September night something is not right. In the darkness of the marker the ground shows signs of blood.