Lesser, but still modestly entertaining sequel. Wakayama is wonderfully bastardly here, but has to do without Chicago bros. Yamashiro & Watanabe and the film is just that much less fun. It's also a little bogged down by an out-of-place environmental message. In return one does get Willie Dorsey (who would go on to lose his balls in The Street Fighter) in a rather big role as Capone's right hand man. There's a legion of other gaijin as well, Osman Yusuf among them of course. The rating could be a notch higher on a good day.

In Edo Japan, a kabuki actor seeks revenge against the three men who drove his parents to their deaths years ago.

After killing the deceiver, the Masa gambler comes to Ina. There is a horse market in Ina, and the landowner Tamegoro, plans to steal the proceeds from the sale. Tamegoro steals money and blames the Masa for this crime. Masa has to go on the run, because now he is wanted for a crime that he did not commit...

A film about the rivalry and friendship between firefighter Chоji and sumo wrestler Sokichi Fudoyama.

Princess Kiyo accidentally injures a local priest, Anchin, while on a hunt. She apologizes, but feels irritated by Anchin’s indifference to her in spite of her beauty. One night, while Anchin is recuperating in a hot spring, he is approached by Kiyo. She tells him that she is in love with him.

The ascetic houseboy of a Japanese lawyer bears witness to the secretive sexual relationship between the lawyer's assistant and the maid, the lawyer's wife's sexual dissatisfaction, and the arrival of the lawyer's brother, who has a plan for the family's land and property.

A Tokyo family escaping the war relocates to a Hokkaido village; their daughter is set to marry the local leader's son, but her siblings disapprove.

A student at a woman's university takes a controversial action against the school's old-fashioned doctrines.

Hell manifests itself through the sins, shame and desires of an upper class rural family and a mother's grief from beyond the grave.

On the night the shogunate's treasury was breached, the guard Utsugi had already been taken down. His colleague Ryunosuke felt responsible and decided to catch the culprit, not only for the sake of the beautiful wife of Utsugi, Chika, but also for his own honor. Chika's younger brother Shinjiro and the powerful Uechi family living near Ryunosuke's abode, join hands to support Ryunosuke. Counterfeit coins begin to surface—a scheme by the corrupt faction led by Yanagisawa. The henchman behind this is Koyamada Tesshin, who gathers ronin to amplify Yanagisawa's power. Among those ronin is Tendo Sakon—a man who drinks silently and plays the flute when in a mood.

Young widow Ine is suffering under the harsh treatment of her mother in law. As a former Geisha, Ine had struggled to be accepted into the well-established Rokujo family from the beginning. With the support of Jiro, a young man Ine's late husband had saved from homelessness as a young boy, Ine tries to keep the family's heritage of silk processing alive. Their close relationship soon causes gossip among the villagers and threaten Ine's position in the family even further ...

After a mine collapses and leaves her husband employed, Fumiko moves to Kyoto with her daughter Kimiko and becomes a hostess.

1953 Japanese movie

An intellectual couple in a staid and tedious marriage are surprised when the wife’s niece, who has run away from home, turns up unexpectedly to stay with them. Their mundane lives are sent into disarray by the emotional and energetic Ako.

In medieval Japan, a woman and her children journey to find the family's patriarch, who was exiled years before.

A salaryman living alone in a small apartment is visited by complete strangers, a large family with grown-up sons and a daughter, who take over his apartment and his life. They use his money and he has to wait on them as their servant. They even steal his girlfriend. Although they behave very dictatorially, everything is decided "democratically" by the majority.

Japan, 1159. Moritō, a brave samurai, performs a heroic act by rescuing the lovely Kesa during a violent uprising. Moritō falls in love with her, but becomes distraught when he finds out that she is married.

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.

Two Jesuit priests encounter persecution when they travel to Japan in the 17th century to spread Christianity and search for their mentor.

In early post-war Osaka, three women, war widow Fusako, her sister Natsuko, an expatriate from Korea, and Kumiko, Fusako's sister-in-law, descend into prostitution, all for their individual reasons.

Following a yearlong attendance upon his shogun in Edo, samurai Hikokuro makes a long-awaited return to his home and doting wife, Dane. Initially greeted by the effusive welcome of his family, spiteful whispers also reach his ear about an adulterous affair carried on, in his long absence, between his wife and a famous drummer. With Hikokuro’s honor imperiled by rumor, his family insists on a formal investigation into the veracity of the gossip. Through the combined testimony of many witnesses, a tale unwinds around the visits of a traveling musician hired to tutor the family heir, the spurned attentions of the man who started the rumor, and the ultimate truth behind the accusations. The conclusion of events prove as much an indictment of bushidō as it is of the reluctant parties involved. Adapted from a 1706 play by Chikamatsu Monzaemon and based on a true case.

In Edo Period Japan, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

Sixth sequel to "Story of Second Class Private".

"Karayuki-san offers a no-holds-barred depiction of the discrimination faced by a former prostitute who returns to Japan from Singapore with her mixed-race son." - Alexander Jacoby (Oxford Brookes University)

Kikuji is the scion of an Osaka merchant family whose traditional power is matrilineal. Instructed by his overbearing mother and grandmother to give them an heiress for the family business, he stands by helplessly as his wife is thrown out of the house for producing a son. Driven to a life of dissipation - his mistresses also fail to produce daughters - in the end he is just too tired to care.

Christ in Bronze is a 1955 black-and-white Japanese film directed by Minoru Shibuya. It was entered into the 1956 Cannes Film Festival.

The film depicts the exploits of Kindaichi Kosuke, who pursues a series of serial murders that occur one after another along with the terrifying melody of a flute.

An innocuous comment during a weapon inspection wounds the pride of low-ranking samurai Shinpachi, leading to an argument with his superior. The situation snowballs out of control, leading to a deadly duel and political fallout which threatens the entire clan. Declared mentally unstable by the corrupt authority, Shinpachi begins his descent into true insanity…

A samurai warrior attempts to stop Kublai Khan's Mongol hordes from overrunning Japan in the 13th century.

Based on the novel of the same name by Seichō Matsumoto.

Osaka, 1907: Asajiro lives between a rock and a hard place: he has to keep his business clean and running, tame his late oyabun’s hot-blooded son and suffer the throes of his impossible love for beautiful geisha Hatsue.

Otsuya, the daughter of a rich merchant, elopes with her lover Shinsuke, an employee of her father's. During their flight, Otsuya's beauty attracts the gaze of Seikichi, a mysterious master tattooist who sees her pristine white skin as the perfect canvas for his art. The image of the large demonic spider that he emblazons across Otsuya's back marks her as the property of another man, radically altering her relationships with all around her as her personality seems to transform under its influence.

In the year 1637 in Shimabara of Tokugawa-era Japan, oppressed peasant Christians revolt against the shogunate with the aid of a charismatic Christian rebel leader Shiro Amakusa.

In the mist of the warring age (Sengoku Era), the Kyushu based Hayato Clan is faced with a monumental battle to determine their survival.

Two brothers, Takamaru and Kikumaru, are living with their father, Hakuraku-Ou, until one day Hakuraku-Ou is killed by "Death's-Head" Ginnosuke, a villain skilled in the art of sorcery. Hakuraku-Ou had long been seeking a Tiger Seal which, together with the Dragon Seal in his possession, would reveal the location of a huge ancestral fortune. But on the very night that the Tiger Seal was found, it was stolen by Tomomitsu, Ginnosuke's chief. When the two brothers receive the Dragon Seal from their father just before his death they determine to go to Death's-Head Castle, in order to recover the Tiger Seal.

Each one of us lives differently. So, there are many tragedies and comedies in our lives. She feels many conflicts in living her life between truth and love.

When master swordsman Mikogami Genshiro of the Ono fencing school returns to find that his ailing sensei has been murdered in the dead of night, he must find the culprit and exact revenge. His return sets off a series of violent incidents and incites a high ranked female skilled in sword to test his mettle after he unwittingly offends her. The ever delightful Misora Hibari co-stars with the great Tsuruta Koji in this exciting tale set in the earliest days of the Tokugawa shogunate. Lots of exciting swordfights highlight this entertaining motion picture!

A woman loses her son through an evil conspiracy and commits suicide. Shortly afterwards a ghost cat begins haunting the conspirators. This is Takako Irie's first bakeneko (ghost cat) movie; it started a Daiei cycle which was very popular at the time in Japan.

Eiko seeks out Miyoharu, a geisha, and asks to be her apprentice. When she is ready to receive clients, both women want the right to refuse certain men.

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

A court fortune-teller loses his mind after a conspiracy leads to the death of his lover. Hope appears to be on the horizon after he becomes romantically involved with his dead lover's twin sister, but more complications arise thanks to a chance encounter with a clan of shape-shifters.

The stage director Shimamura, who is bringing western theatre to Japan, falls in love with the outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.

Could I But Live

An ageing fishing boat, Dai-go Fukuryu Maru ("Lucky Dragon No. 5") sets out from the port of Yaizu in Shizuoka Prefecture. It travels around the Pacific line fishing. While the ship is near Bikini Atoll, the ship's navigator sees a flash. All the crew come up to watch. They realize it is an atomic explosion, but take time to clear their fishing gear. A short time later, grey ash starts to fall on the ship. When the ship returns to port the sailors have been burned brown. They unload the fish, which are then transported away. They visit the local doctor and then go to Tokyo for an examination. It turns out they are all highly radioactive. Their symptoms become worse, and the contaminated fish causes a panic.