Soumaya, a practicing Muslim, is fired one day without explanation or warning. Later that night, she sees on TV that news outlets are linking her to jihadist circles.

It's the story of a young married man name Lionel who is swamped by colossal debts and whose wife is soon to give birth. At his wits' end, he decides one day to commit an irreparable act and kidnaps his millionnaire neighbors' 1-year-old baby. He demands a small ransom of €60,000. But Lionel is no criminal and all his attempts at exchanging his hostage for money fail. Meanwhile, he becomes increasingly attached to the baby. When he at last manages to get the money, he must come to terms with releasing his hostage.

Mélanie, 16 years old, lives with her mother. She likes going to school, her friends, playing the cello, and she wants to change the world. But when she meets a boy on the Internet and falls in love with him, her world changes as she is gradually recruited by Daesh. Sonia is 17 years old, and she almost did something irrevocable to “guarantee” her family a place in paradise. These teenage girls might be called Anaïs, Manon or Leila, and one day they all might go some way down the recruitment process. But can they ever come back from it?

This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.