As Vic Brown vacillates between infatuation and disinterest for his co-worker Ingrid Rothwell, she finds out that she is pregnant and Vic has to reconcile how he thought his life would go with what life actually has in store for him.

Sequel to The Mouse that Roared; The Tiny Country of Grand Fenwick has a hot water problem in the castle. To get the money necessary to put in a new set of plumbing, they request foreign aid from the U.S. for Space Research. The Russians then send aid as well to show that they too are for the internationalization of space. While the grand Duke is dreaming of hot baths, their one scientist is slapping together a rocket. The U.S. and Soviets get wind of the impending launch and try and beat them to the moon.

A bored housewife has an affair with her mother's lodger.

Albert, a cheeky, womanising, door-to door salesman, with a never-take-no-for-an-answer attitude, lives his life for the moment, and with no thought of his future, or the consequences of his actions on the people he encounters.

Early 1960s realist drama following a day in the lives of two London flatmates. Sylvia Syms and June Ritchie star as Billa and Ginnie, two singletons sharing a London flat who both work as night club hostesses in the same Soho club. Tensions arise when Ginnie becomes romantically entangled with rich married businessman Bob Shelbourne (Edward Judd), causing Billa to become jealous of their relationship.

Two vehicles lurch across the east African bush, carrying an ill-assorted party of prospectors who have formed a syndicate to search for uranium deposits. As their four-week window for digging starts to close, trouble soon starts amongst the group and there are some sinister 'accidents'... It is obvious that one of the party is trying to sabotage the expedition; but who?

The Gangster Macheath secretly marries the daughter of beggar king Peachum. When Peachum finds out, he instructs the police chief Brown to arrest and hang Macheath. If not, all the beggars of Soho will disturb the upcoming coronation.

A man holds an estate agent hostage in an office, threatening to shoot people from the window.

Newly widowed Etta visits her beloved Aunt M and discovers her bedridden and listless. Etta's struggle to restore her aunt's dignity and cheer brings renewed meaning to the lives of both women, but also reveals family secrets and forces confrontations with her aunt's indifferent son and hostile daughter-in-law.

Millionaire recluse Ray Carter takes part in a single handed race across the Atlantic - but soon discovers a stowaway.

In Granada TV’s 1974’s Starmaker, head Kink Ray Davies proved once again that he’s not like everybody else, producing a rock opera for television that tells the story of an insufferable, vain, egotistical rock star (played by Davies, naturally) who switches places with an “ordinary person” named Norman, working in Norman’s crappy job and living Norman’s crappy life to find inspiration for his next album. (Well, it’s a little more complicated than that…) Davies’ play reveled in breaking the fourth wall: cameras and microphones are visible throughout and the play’s author/star himself even ends up a member of the audience. Starmaker was a dry run for the themes of the Kinks’ 1975 album, The Kinks Present a Soap Opera.

Freed at last by death from tyranny of an elderly, querulous mother, Esme Fanshaw is persuaded to take a man, Amos Curry, into her house as a paying guest. At first wary of him, Esme becomes increasingly fond of this dapper little man with his mysterious summer occupation. When she finally learns the nature of this occupation she is at first shocked then sympathetic.