This is the German-language version of 1930's "Those Who Dance", shot by Warner Bros. in Hollywood with a German-speaking cast.

A rather complex interweaving of romance and crime is squeezed into one reel. A "respectable" couple of city "card sharpers" invite a distant country relative to visit, then use her as a pretty, unwitting decoy to lure rich victims. They flee town a step ahead of the law. At a resort, the innocent girl falls in love with the latest victim, but they help expose and apprehend the guilty parties.

Elsie Green cannot decide which of her two suitors to marry. When she reads Nathaniel Hawthorne's short story "Feathertop", she dreams that she is its heroine Polly Goodkin, and this leads to her final decision.

Science fiction serial.

Any movie that starts Jewish entertainer George Jessel as an Italian accordionist named Luigi can't be all bad. In love with the beautiful Margharita (Lila Lee), Luigi lands a job in the music store owned by the girl's uncle. Ultimately, however, our hero does the Pagliacci act when Margharita evinces a preference for handsome Pasquale (David Rollins). The film's best scene takes place in a nursery full of talented tots, a sequence that undoubtedly reminded Jessel of his days with Gus Edwards' "Schoolroom" act. Exercising his droit du seigneur, Georgie Jessel sings the title tune.

The daughter of an Arab sheik falls in love with a French naval officer, thus breaking the strict rule of social law of her people, as well as her religion.

Effie Marchand refuses to marry a man she has never met, but who has been picked out by her mother, is exiled to boarding school Then, when sculpting teacher Jules Gerard asks her to pose for him, an always impulsive Effie quickly consents. During one of the modeling sessions, however, Jules tries to seduce her, and Effie is saved only when Al Tournay, a visitor to the studio, fights off the sculptor. Later, when Jules' latest nude statue looks just like Effie, who really only posed for the head, an outraged principal expels her. Effie then begins a romance with Al, and when they get married, Effie's mother takes the wedding as just one more sign of her daughter's impulsiveness. Mrs. Marchand soon finds out, however, that her new son-in-law is the man she had chosen for Effie long before, and so mother and daughter are quickly reconciled.

This epic traces, from the Beginning, the lineage of the race of peace-loving people. Mankind at its best is highlighted as greatness of character across the centuries is displayed: Noah heeding God's command, Moses leading the Israelities, Jesus Christ dying to save humanity and promote His message of peace. Moving into our modern epoch: Columbus's discovery of America, the Declaration of Independence, the Emancipation Proclamation; A race of free humans committed to the proliferation of peace and freedom. What becomes of this race when autocratic powers threaten democracy in the time of the first World War?