From Martin Scorsese to Jane Campion, from Emir Kusturica to Quentin Tarantino, some of the greatest recipients of this trophy recall special moments relating to the award ceremony which closes the Cannes Film Festival. This film brings to light moving and personal stories, as surprising as they are varied, which all contribute to further enhancing the legend of the Palme d’Or.

A documentary about the making of Jane Campion's 'The Portrait of a Lady'.

At the 60th anniversary of Cannes Film Festival, 34 famous directors are followed by camera.

This documentary provides a glimpse into the making of Jane Campion's 1990 film.

The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Get a rare glimpse into the creative process of Academy Award-winning filmmaker Jane Campion as she shares her memories of making "The Power of the Dog."

Director Julie Bertuccelli paints Jane Campion’s portrait with great precision, humor and admiration, telling the tale of the first-ever woman to win the Palme d’Or in 1993.

The creative process at the heart of creating TV series Top of the Lake (2013). From the writing process with long-time collaborator Gerard Lee to shooting in New Zealand, filmmaker Jane Campion struggles and rises to the occasion.

Actors Anne Dorval, Suzanne Clément, Monia Chokri, Gaspard Ulliel, Vincent Cassel, Niels Schneider and Melvil Poupaud discuss working with the young Canadian director Xavier Dolan, who has conquered the hearts of both cinema lovers and prestigious festival juries with his films. To French actress Nathalie Baye, he seems very experienced despite his young age, while Cannes Director Thierry Frémaux says he may be insolent, but everyone agrees he is passionate, creative, a perfectionist and... in a hurry.

Lucy, a former child actor, seeks enlightenment at a retreat led by spiritual leader Elon while she navigates her close yet turbulent relationship with her stunt-performer daughter, Dylan.

Interviews with women directors working in Hollywood and Europe in the early 1990s, exploring the opportunities and obstacles that face them. A program made to accompany a Channel 4 season of films directed and produced by women.

Take a deep dive into the film critics are crowning the year's best, Jane Campion's The Power of the Dog. An exploration of complex masculinity, secret passion and the taming of the west, the cast and crew — including stars Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons and Kodi Smit-McPhee — pull back the veil on craft details, performance particulars and Campion's triumphant return to the big screen after 12 long years.

Over the years, Nicole Kidman, Oscar and two-time Emmy Award winner, became both a pop culture icon & a complex dramatic actress. Her career is a unique body of work that mirrors her personal life, which is more political than it might seem.

When Jane, a film director, auditions her mother for a role in her latest television series she tries to keep their relationship professional. But her mother, disorientated by the cameras, refuses to play along. A professional casting quickly turns into an audition for the more personal roles of mother and daughter.