A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.

Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.

Sugar State Women’s Prison. An Everglades hellhole where innocent girls are forced to slave in the swamps by day then turn tricks for the warden by night. A prison camp where corruption, brutality, and sexual abuse are all part of the daily routine. But when reporter Valerie March goes undercover inside Sugar State, that’s when the powder keg really explodes! Follow Valerie through prison life - catfights, knife fights, rape, whippings, prostitution, and the “hot box” - before she and her fellow inmates take bloody, unforgettable revenge on their captors. Inspired by the great women-in-prison films of the past, SUGAR BOXX takes everything one step further. SUGAR BOXX has it all.

A short documentary about the classic Universal Monster actor, Lon Chaney, Jr.

Documentary focusing on Jack Hill's classic film, Spider Baby. Featured on the new Special Edition DVD.

The composer of ‘The Terror’ and ‘Attack of the 50 Foot Woman’ among others is remembered by Harlene Stein, Jack Hill, American Cinematheque’s Chris D. and others.

Retrospective documentary on the making of the 70's women-in-prison exploitation cult favorites "The Big Doll House" and "The Big Bird Cage".

Jane's lover Dax overdoses on heroin. Wanting to kill the pain of loss, Jane does dope for the first time and is soon on the way to addiction herself. She then discovers that drug users are being haunted by the ghosts of dead addicts. Soon she's being followed by her dead boyfriend Dax as well as other thirsty spirits. Jane meets Rick, a young man with his own similar story. Rick is being tormented too...by the ghost of his overdosed girlfriend Azami, the most dangerous of the junkie vampire ghosts. Jane returns to her apartment after one night of nonstop terror. She goes into her bedroom and finds someone sleeping face down in her bed. Not getting a response, Jane turns over the body...

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

From "The Rocky Horror Picture Show" to "The Big Lebowski" and everything in between, this fascinating deep-dive documentary begins its celebration of the greatest cult movies of all-time discussing the birth of the midnight movie.

Boris Karloff: The Rest of the Story takes a deeper look at the life and career of Boris Karloff, from 1931 to 1969, exploring films such as The Ghoul, The Walking Dead (1936), Charlie Chan at the Opera (1936), the Mr Wong series, The Climax (1944), Lured (1947), The Strange Door (1951), Grip of the Strangler and Corridors of Blood(1958), The Comedy of Terrors (1963), The Curse of the Crimson Altar (1968), the Mexican quartet, some of his major TV appearances (The Girl From U.N.C.L.E., Wild Wild West, I-Spy) as well as taking a deep look at his often ignored Broadway career in the 1940s and 50's. There is also much time devoted to Karloff's more personal side and his relationship with his daughter, Sara.