Rico Suave is the ultimate ladies' man - or so it seems. His secret problem: when he gets intimate with a girl, his entire body freezes. When Rico's friends discover his condition, they enlist the services of Venus, a sexy con artist. Sparks fly as Venus tries to scam Rico, but when she finds herself genuinely falling for him, she is caught in a dilemma.

There is an underground battle going on in the name of love. The soldiers are all Pikapistas! With pick-up lines as their weapons to woo the gorgeous Neneng B. (Sam Pinto), the war sizzles in the dark corners of the Metro. And there is one undefeated champion among them - BOY PICKUP (Ogie Alcasid)! Legendary, enigmatic, hypnotic, that’s his appeal to most who don’t get what his works penetrate their heart just the same. Despite his underground fame and legend, Boy Pickup lives a normal and solitary life, He works as a pastry chef in Heaven’s Bakeshop, a bakery owned by ANGEL (Solenn Heussaff) and soon Angel feels indebted to Boy while Boy starts to fall for her.

The film is very, very loosely based on the life of Arturo Porcuna (Jeorge Estregan). Once upon a time, he was known as Boy Anino, notorious leader of the Bahala Na gang. But rival gangster Tony Razon (John Estrada) attacked him in his home, leaving his entire gang and his family dead in the ruins. But Porcuna survived, and now he returns under a new alias, Boy Golden, and he seeks revenge against those that did him wrong. Along the way, he meets Marla D (KC Concepcion), a dancer who also has a bone to pick with Razon. Together, the two carry out a dangerous plan to take on Manila’s toughest gangsters.

Lagot Ka Sa Kuya Ko revolves around the life of two siblings who grew up in different worlds. Alex (Ronnie Ricketts) is a taxi driver who moonlights as an underground street fighter. His sister Sarah (Nadine Samonte) is a US-bred teenager who just got back in the country with their mother (Marita Zobel). Through Boogie (Dinky Doo), an aspiring rapper whom Alex rescued from a brawl with fraternity guys, he met Sarah and her mother without knowing they were the family he has searched long and hard for.

A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.