Huset på Christianshavn was an 84-part television drama series broadcast in Denmark between 1970 and 1977. It was produced by the Nordisk Film company for the national broadcasting corporation, Denmarks Radio. 48 of the episodes were also shown in the German Democratic Republic. The series portrays the lives of the residents of a block of flats on Amagergade, Christianshavn, an old part of Copenhagen.

Huset på Christianshavn was an 84-part television drama series broadcast in Denmark between 1970 and 1977. It was produced by the Nordisk Film company for the national broadcasting corporation, Denmarks Radio. 48 of the episodes were also shown in the German Democratic Republic. The series portrays the lives of the residents of a block of flats on Amagergade, Christianshavn, an old part of Copenhagen.

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.

The Kingdom is the most technologically advanced hospital in Denmark, a gleaming bastion of medical science. A rash of uncanny occurrences, however, begins to weaken the staff's faith in science – a phantom ambulance pulls in every night, but disappears; voices echo in the elevator shaft; and a pregnant doctor's fetus seems to be developing much faster than is natural.