That's right scum, Gwar's manager Sleazy P. Martini is back with his own fudge-packed talk show. Join Sleazy and crew as they welcome a host of ridiculous guests who exist only to be destroyed. The fur really starts to fly with the arrival of GWAR and nut-chinned mystic scumdog Scroda Moon. All this and less awaits you in It's Sleazy!

GWAR, the bloodthirsty alien antiheroes, conduct a worldwide telethon to feed souls to the World Maggot, which will transport the members of GWAR off our miserable planet once it grows. GWAR's tele-casts attract the attention of GlomCo, the world's monopolistic entertainment giant. GlomCo attempts to bribe GWAR's manager, Sleazy P. Martini, into selling GWAR out to the mainstream of Sunday morning cartoons. GWAR's revenge on the sniveling executives at GlomCo uncovers a dastardly plot to homogenize all humanity by the evil doctor Skulhedface!

Just when you thought it was safe to get abducted by aliens, Slave Pit offers their take on the extraterrestrial phenomenon! Gwar celebrates the end of the world as the comet Ragnarok threatens to destroy the Earth. When Grey Aliens crash the party and artificially inseminate Slymenstra with Orderus' sperm, the resulting hybrid mutant space child attracts the attention of Gwar's ancient enemy, the giant robot Cardinal Syn and his Holy Warriors from Outer Space. The bulk of the video is concert footage, with a mock interview interspersed between each song. Additionally, three music videos - "Saddam a Go-Go," "Meat Sandwich," and "Surf of Syn" - are included.

Combination of live footage (1989-1992) and short films that chronicle GWAR's early battles with archnemesis Techno Destructo.

Mark 13 is a government-built killing machine programmed with artificial intelligence, able to repair and recharge itself from any energy source. Through a series of coincidences, the cyborg's head ends up in the home of a sculptress as a bizarre Christmas present from her boyfriend. Once inside its new home, the cyborg promptly reconstructs the rest of its body using a variety of household utensils and proceeds to go on a murderous rampage.

Lead singer Oderus Urungus loses his murderous-mojo prompting the rest of the band to embark on an Antarctic quest for the cure.

Tom McHugh quickly learns that his perfect big brother Craig isn't all he's cracked up to be while on a night on the town with the girl next door, during which Tom is harassed by unpleasant strangers, threatened by mobsters, pursued by police, attacked by an irate florist, accused of murder, and has his date kidnapped—all because everyone thinks he's Craig...and the classic 1959 DeSoto Firesweep he borrowed off his brother has two dead bodies in the trunk.

Blood Drive 2002 is a DVD document of Gwar's 2002 tour. According to Don Drakulich (Sleazy P. Martini) who filmed and edited this show, only 200 copies were made on VHS tape and sold at shows. Due to fan demand, Drakulich has released a DVD version from his original masters, which is being sold through his Hypereal Productions web page.

Mutant Overlords GWAR take over the airwaves of AXS TV to bring to you, the human scum, a live broadcast transmission from one of their performances. GWAR “Fate or Chaos Tour 2013” was aired live on AXS TV on April 17th, 2013 at The Gothic Theater in Denver, Colorado. This would be Gwar's final major concert tour before the death of founding slave Dave Brockie the following year.

Full length live concert video recorded at D.C.'s legendary 9:30 Club. Gwar's longtime nemesis Techno Destructo attempts to defeat Gwar once and for all and claim the hand of Slymenstra Hymen as his prize. With a little help from some radioactive penguins and a robotic clone of Gwar manager Sleazy P. Martini, Gwar will surely be destroyed at long last!

GWAR, the greatest live band In the universe unleashed Scumdogs XXX Live! The 30th Anniversary reunion show of the shock rock classic Scumdogs of the Universe!

A wilfully offensive band, The Mentors gained infamy for performing in black executioner hoods and spewing cartoonishly racist, homophobic and misogynistic lyrics in the 1980s and ‘90s—but was their use of shock meant to propagate hate or confront it?

Long form home music video loosely based on the 2000 United States Presidential Election