Two brothers, Samuel and Rodrigo, live with their mother in a suburban town. One day the mother, who has mental health problems, disappears leaving nothing behind but a note. David Pablos is a young Mexican filmmaker, born in 1982. His first short film, El mundo al atardecer, was made in 2007. La canción de los niños muertos (2008) was his second short film; he presented his first feature-length film Una frontera, todas las fronteras (2010) at the Berlinale Talent Campus before coming to Venice with his second film, La vida despues, for the 70th Venice International Film Festival.

Vladimir doesn’t know what he is. He has all the money he wants, he is afraid of becoming schizophrenic; he is a vampire, an extraterrestrial, an eccentric millionaire, or all three at the same time. There is no doubt that he is a lady’s man who plays soccer perfectly, who can study the movements of a cabdriver and seduce the most beautiful and intelligent woman he meets.

Filmmaker Sebastian makes the reverse journey from Mexico City that almost all of the inhabitants of the deserted, dusty hamlet La Estancia have made. Searching for inspiration (and a better life?), he comes across the two sole remaining residents: the aged Don Jesús Vallejo and his son Juan Diego. Fascinated by their isolated lives and Juan Diego’s absolute loneliness, Sebastian starts to film. The improbable but intense friendship that arises between them is rudely disrupted when Sebastian goes back to the city - but he promises to return.

After getting bitten by a rabid dog, Clara must stay locked in the small cabin where she lives with her mother and husband for 40 days. While the town is assaulted by a pack of savage dogs, Clara's seclusion causes a growing desire for freedom. To escape, she will have to overcome her family's fear and determination to protect her.

Humberto works as a night watchman at a remote and desolate construction site. One night he becomes, unwittingly, the sole witness to a cover up. Afraid of being retaliated against lest he come forth, he decides to keep quiet. Gradually and without him being aware of it, Humberto ends up inflicting on his family the same violence from which he´s running away.

Jerry Welbach, a reluctant bagman, has been given two ultimatums: The first is from his mob boss to travel to Mexico and retrieve a priceless antique pistol, known as "the Mexican"... or suffer the consequences. The second is from his girlfriend Samantha to end his association with the mob. Jerry figures alive and in trouble with Samantha is better than the more permanent alternative, so he heads south of the border.

Spain, 1937. Ramón Mercader, a young communist combatant, is recruited and trained by the Soviet intelligence service to participate in a top secret mission ordered by the ruthless dictator Joseph Stalin: the assassination of his former political rival, Leon Trotsky, who is living in exile in Mexico.

Deep in the jungle, a group of Mexican gum workers crosses their path with Agnes, a mysterious Belizean woman. Her presence enlivens the fantasies and desires of those men, without knowing that they have woken up an ancient Mayan legend.

The Driver is drafted by the UN to rescue a wounded war photographer named Harvey Jacobs from out of hostile territory. While they are leaving Jacobs tells the Driver about the horrors he saw as a photographer, but he regrets his inability to help war victims. Jacobs answers the driver curiosity about why he is a photographer by saying how his mother taught him to see. He gives the Driver the film needed for a New York Times story and also his dog tags to give to his mother. When they reach the border, they are confronted by a guard who begins to draw arms as Jacobs begins taking pictures, trying to get himself killed. The Driver drives through a hail of gunfire to the border, but finds Jacobs killed by a bullet through the seat. The Driver arrives in America to visit Jacobs' mother and share the news of him winning the Pulitzer prize and hand over the dog tags, only to discover that she is blind.

Willy's quest to find Marlena, his lost love, takes him from Mexico to Canada, where he is hired as a seasonal worker at the Bécotte farm, near Montreal. Several destinies intersect, worlds collide, tensions rise and moments of magical realism emerge during long work days.

A young man haunted by hereditary psychiatric problems, is convinced that he must carry out something unthinkable.

After a lifetime together, Susana has been abandoned by her husband. She is in denial and holds on to the past. One day, she needs the help of her neighbor, Gloria, a free-spirited woman that she can’t stand. But the friendship that emerges between them awakens Susana's desire to live in the present.

A homeless person causes repulsion among people, a child dancer is the laughing stock of others. This is a story of friendship and acceptance despite appearances.

Alberto, a collective taxi driver, observes through the lives that pass through his car, the beauty hidden in the decadence of the oil city where he works.

In a Mexican border town plagued by neglect, corruption, and violence, a frustrated teacher tries a radical new method to break through his students’ apathy and unlock their curiosity, their potential… and maybe even their genius.

Alan and his father Alberto flee from the painful loss of his mother. While hiding in a secluded housing unit, Alan discovers hidden messages from his uncle that lead him to believe that his father is a werewolf. His life and his neighbors’ lives are in danger. Alan decides to do something once for all. Destroying the beast does not seem a far-fetched plan in the violent reality he lives day by day.

Dramatized series that shows a mosaic of stories, which run in parallel and sometimes intertwine, around Tepito and its identity as a neighborhood, revealing the social prejudices that manifest themselves in classism and racism, as part of a historical reality in Mexico.

Don Poli, the patriarch of a family embedded in politics, faces the change of party in his state - after a hundred years in power - losing all his privileges. Humiliated and angry, he threatens to disinherit his family and leave to rebuild his life. This forces his children (Kippy, Ramses and Belén) to take extreme measures to ensure their future, causing everything that could go wrong to turn out worse.

In Guita Schyfter’s El águila y el gusano, an intricate plot serves to intersect the destinies of several characters: the owner of a beauty salon in love with “all things Chinese”, a politician with a taste for oration who couldn’t care less about the problems of his country, a political adviser whose counsel is never considered and a shady investigator with a name that nobody seems to recall. The script by Schyfter and Hugo Hiriart, her longtime collaborator and author of the 2013 novel on which the film is based, bristles with finely-crafted, hilarious dialogue.

Mexican feature film