When his parents and peers reject and abuse his queer, older brother because of a leaked video on the Internet, a young man creates for him a colorful legend of love and acceptance.

The Mommy Returns tells the story of a mother, Ruby, who dies right on the day of her 25th wedding anniversary with husband, William. With her untimely death, she leaves behind her three children Amethyst, Topaz, and Sapphire. Ruby is also temporarily trapped in PURGA (short for Purgatory) with its guardian, and the pesky Manny, the chicken pet of San Pedro. When Catherine, a younger and prettier woman comes into the life of William, Ruby escapes from PURGA and returns to earth as a ghost to drive Catherine out of the family she left behind.

Eight-year old Aaron is dead set on winning the Grand Prize in his 2nd Grade declamation contest. He is determined to win despite his obvious “f” and “p” speech defect, a proclivity common amongst some Filipinos to interchange the pronunciation of English words with the letters “f” and “p”. His mother takes an active albeit humorous role in preparing him for the competition. This is a story of perseverance, family unity and the real meaning of triumph and possibly the “Rocky” of all declamation contests!

On the eve of his 25th birthday, the day he’s set to receive money from his trust fund, Rocco parties, gets drunk and loses all his money on a poker match. His dilemma: He has to produce the amount, otherwise he will lose the client he needs to defeat his father’s TV commercial production company. Meanwhile, Rocky also needs money to pay the rent, otherwise her family will be homeless. There’s only one way for Rocco to be able to get money from his trust fund: Fulfill the conditions set by his grandmother and that is to get married. Rocky agrees to act as Rocco’s pseudo wife in exchange for a “talent fee.” They seal the deal. As they live like a married couple, Rocco and Rocky face one problem after another, forcing them with no alternative but to reconcile their differences and work with each other. Complication arises when they start to feel for each other, with their bond getting closer.

Thirty years ago, an unborn child was buried in the garden of what is now a boardinghouse in Cubao. It lies beneath the ground, unbeknownst to the tenants who live there. One of the tenants is Mylene (Lovi Poe) who appears like the perfect girl, nice, pretty and at the top of her Medicine class. But nobody knows about her past, not even the man who loves her most, Paolo (Benjamin Alvez). Paolo doesn't know anything about Mylene's family, her long, lost sibling or her estranged, nervous wreck of a mother. Nor does he know about the very long scar that runs across Mylene's body, nor of how incomplete she always feels. And he finds that the more he tries to win back her love, the more she retreats to her secret world that nobody could enter.

Shake, Rattle and Roll 14 : The Invasion is a 2012 science fiction horror film directed by Chito S. Roño. The film stars an ensemble casts including Janice de Belen, Herbert Bautista, Dennis Trillo, Lovi Poe, Paulo Avelino, Martin Escudero and Vhong Navarro. The film was produced by Regal Entertainment, Inc. The film is an official entry in the Metro Manila Film Festival and the film's scheduled release is on December 25, 2012 in Philippine Cinemas nationwide. This fourteenth installment also serves as the Most Independent throughout the entire series for its sole director, Chito S. Roño. This Installment features the comeback of Janice de Belen and Herbert Bautista which both starred in past Shake, Rattle and Roll installments, especially Shake, Rattle and Roll I which included both of them but in different episodes.

Rock Polotan and Tracy Fuentebella are teenage sweethearts and both nursing students in a university in Manila are in love and full of dreams. A youthful indiscretion leads them to early parenthood, a situation they face squarely, and quite maturely, by planning to get married. They shortly realize, however, that the problem behind their wedding plans has less to do with themselves than with their own parents.