Pablo hates everything. When Lucia comes into his life, he thinks she's the woman he dreams of, and sees the solution to all his problems. But Lucia, who is rather manipulating, is just what will make Pablo explode. Nobody believes in the ideal couple, not even Pablo's friends, who live all in couples, and all with problems: Between Ariel and Lola there is a professional rivalty they don't know how to cope with; Claudio lives on Natalia, and none of them feels good about it; what's wrong with Alejandro and Beatriz is just the big age difference between them two. Nobody is happy with his partenaire, but everyone will let it be, maybe for conformism, maybe for fear, maybe for lazyness, or maybe because Everything is false.

Since he began to work, Domingo lives against the trend: he sleeps during the day, care for her younger sister in the afternoon and at night vacuums in a department store.

Salamanca director Chema de la Peña recalls in this feature documentary professionals early filmmakers like Fernando Colomo, Fernando Trueba, Imanol Uribe, Carmen Maura and Antonio Resines, protagonists of the so called 'New Spanish Cinema' in the 80s. His first films were produced between friends, her back to the industry. Rolled with minimal budget and with the sole intention of having fun ... And big surprise were critical and box office successes. And also true generational manifestos.

Summer in Menorca. The young Olivia has lost all understanding for the world. She just ended an affair in order to begin a real relationship, but no sooner had it started than this also ends. She is comforted and receives prosaic advice from her sculptor mother Nuria. When pensioned advertisement filmmaker Fernando moves into their guesthouse, a fresh wind blows over the island. While Olivia sees him as a father figure, Fernando tries to seduce Nuria. ISLA BONITA is a charming, wonderfully cheerful comedy full of misunderstandings – and a bijou homage to the idyllic holiday island of Menorca. Director and main actor Fernando Colomo delights us with this semi-autobiographic fiction film.

Ana's husband is the perfect wealthy middle-class man. Koro's husband is a cook with no more ambitions. One day, Ana meets Koro in a night club and she proposes Ana to seduce each others husbands. The following morning Ana thinks this was a joke, but things are not always what it seems. Written by Dulzz

A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.

Hortensia is a mature officer of the INEM office. She has been abandoned by her husband so she doesn't believe in love anymore. One day Eduardo Fernandez goes to the employment office because after overcoming a deep depression, he has decided that his life has to get better.

From the land of Almodovar comes a hot new film about drugs, sex & everything else!

The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.

The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.

A group of friends finds a dilapidated place and decide to repair it, paint it and live in it in communal plan. The problem is the bank, owner of the premises, does not want them occupied so they threaten to call the police to evict them.

She appeared when Spain was waking up from a long post-war period and crying with melodramas starring children, a child prodigy unlike any other; a girl who, in time, would become a symbol of freedom and a total artist. Actress, singer, friend, lover. This is the story of Ana Belén.

Honorio Sigüenza is a man in his forties who has always lived under the yoke of his possessive mother. When his mother dies, he undergoes a radical transformation that will lead him to live numerous love affairs in the face of the disapproval of his cousin Veni, who wanted to marry him.

A cleaner woman with vocational street dancer tries to recover her long-stranded son that she gave for adoption, a former CEO who lost everything, including his memories.

Gloria is a porn artist that performs live-sex. When his mate gets sick he brings her a young substitute, Manu. The boy works surprisingly well and then Gloria decides to go into business with him. Things get complicated when Gloria discovers that Manu is in trouble because of his gambling debts.

Sofia introduces her three adult daughters to her new lover who is their age and happens to be a woman. The women, in particular Elvira find it extremely difficult to accept their mothers sudden apparent sexual reversal. The news pushes the neurotic Elvira to the point of nervous breakdown. Sol, the youngest daughter, writes a lude rock song about it and performs in front of them at a concert. The daughters plot together on how to get their mothers new girlfriend, a native Czech, and brilliant pianist, out of her life. Their plot goes terribly wrong and turns the film from a light-hearted comedy, into mildly amusing drama.

In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.

Three divorced men who share a flat live together without trouble until they hire a cleaning lady.

A medieval alchemist (Klaus Kinski), knight (Harvey Keitel) and priest (Fernando Rey) mistake a flying-saucer alien for a dragon.

Luci, Graci and Mar­, three sisters that make a comedy trio, go to the wedding of their father with a woman who is 45 years younger than him. During the feast Luci's husband dies in an accident. Despite the tragedy, the trio have to fulfill their commitment acting during August in Benidorm. The widow discovers thanks to a notebook that her husband cheated on her, so she decides to flirt with everyone.

Satur and Tina are married, and Berta enters their life as a ‘unicorn.’ In the end, however, Satur is pushed out and Tina and Berta have an affair. Manu is a loser who tries to embark on a relationship with Amanda, who at the same time is involved with Alex, Claudia and Marta and Esteban, with whom they are all co-raising two children. Everyone seem to be living many different lives but all of them will have a lot to learn from each other.

The early days of the future genius of Spanish cinema Luis García Berlanga, from his birth in Valencia in 1921 to his departure to Madrid in 1947 to become a filmmaker.

Madrid, 1965. When The Beatles arrive in the city, Diana goes to great lengths to meet them.