"I am not from this place," declares a French cowboy. An old toothless man asks, "Do you know why you're here?" These shape-shifting personalities infect young children with an evil signal in the form of a Dutch TV show. The red-eyed girls and boys believe they can now become other people and monsters, much to their delight.

Last Performance, the fifth feature film from award-winning European director Edwin Brienen, is set in the tumultuous New York theater world. Julia, a European actress who relocated to New York to try and make the big time, stars in an avant-garde theatre play, directed by the eccentric Magda. Inspired by obsessive philosophers such as Nietzsche, Schopenhauer and LaVey - "Forget the weak, the virtuous ones and the compassionate ones" - Magda explores the dark side of life. Julia's co-star, herein, is Cooper who has an abusive relationship with the sexually frustrated Tom. Tom, unable to accept his homosexuality, in turn exploits Julia for his own sexual adventures. Cooper, enraged by jealousy, sets out for revenge and his actions, herein, trigger an inexorable wave of disintegration and misery. Soon, fact and fiction become indistinguishable as Julia too becomes the author of her own demise.

Sensing evil, a haunted house tour guide seeks a medium's help only to be warned that she is facing a vengeful power beyond her control.

A psych-drama-thriller combo that tackles shady politicians, leaked documents and a lack of enthusiasm for religion.

The film tells the story of six mental cases, trying to get rid of society's norms and values by kidnapping Gerard van Dongen, a well-known TV host. During an improvised TV show, the terrorists confront this Van Dongen with their darkest thoughts and emotions, resulting in violent excesses and extreme sexual behavior.

Claire, Romy, Magali, Loete, and Jim are typical Brienen’s characters: their excessive lifestyle rhythmed by sex and drugs puts them in the margins of society, refusing to believe in love or any kind of happiness. Lacking a better alternative, they take a trip to Berlin to perform in their own erotic-trash show. But in Berlin, trouble only begins. Styled images of lost souls straying through the night and their humide debaucheries transport us into an universe of the abject where all moral limits are eliminated by the character’s insatiable bulimia.

Eva auditions for a role in an obscure art-house film. An anonymous, masked director creates an intimidating atmosphere. He dominates and humiliates Eva, forcing her into prostitution. She sleeps with a Jewish film producer named Josh. When he refuses to help her financially, Eva blackmails him by threatening to tell his wife that they slept together. Back on the film set, Eva's heading towards her own downfall. It's just a matter of time before her individuality and emotions are eliminated for 'the sake of art'.

Follows two couples through the heat of summer for 24 hours. What began as a peaceful summer afternoon ends with violent excesses in one hell of a night.

Raina embarks on an affair with the tortured Nick. The compulsion towards excessive behaviour forms the nexus of their relationship. Isabelle is bound up in a lifeless marriage. The two women meet in a church. Their physical contact begins as a caress but ends in a fit of aggression.

Leonard is about to lose his girlfriend, home and job. Upon that, he’s having strange hallucinations. Is it stress or an after effect of new technology installed all over the city? He must figure it out or he’ll be trapped in this nightmare forever.

The rivalry between two former college friends comes to a head when they both attend the same glamorous event.

In a locked-down NYC, two priests open their church doors to those seeking salvation during the most isolating of times. From the commonplace to the truly metaphysical, their visitors reflect the full spectrum of personal crises of spirituality. Throughout their encounters with the city's sweetest, wildest and weirdest, the two priests learn the importance of connection, empathy and open-mindedness. Sometimes a little faith is all you need to make it through the bad times.

There’s a madman loose in New York City. Late at night, he stalks the streets looking for straight white men to punish. When he finds them, he kills them in unspeakable ways.

At a small New York theatre, an ageing magician comes up with a devilish plan to save his piece of old New York by invoking some real black magic. Harsh realities and fantastic illusions come together in BLACK MAGIC FOR WHITE BOYS, Onur Tukel’s latest film, a bizarre comic adventure about gentrification, race and bodily autonomy in New York City. With over 50 minutes of new footage, Tukel has completely reworked a project initially presented in 2017 as a four-episode series at Tribeca into a gnarly and charmingly weird dark comedy. Balancing edgy misanthropy with a strain of silly sweetness, this is an intimate low-budget parable about the changing face of New York City.

An omnibus of short films by auteur directors based on Dreams.