Adaptation of Prince-Bishop and poet Peter Petrovic Njegoš's epic poem.

Bor, in eastern Serbia, was once home to the largest copper mine in Europe. Now it’s just the biggest hole. This astutely observed coming-of-age film captures the pitfalls of the adult world, where idealism no longer seems to have a place, as two teens come to realize they have no choice but to grow up.

The main character is a young and very beautiful girl, Marijana. Marijana is 25 and when she was 16, her father's boss sexually abused her. Marijana's father did nothing against his boss, and because of that became very successful at his profession due to the boss' assistance. Marijana's father became a famous discreet gynaecologist for illegal abortions. Ten years after the incident, Marijana's family is very rich and popular in her town of Podgorica. Marijana did not forget what happened to her when she was younger. Marijana decides that it is time to avenge what was done to her. She does this by becoming a prostitute, and sleeping with her father's colleagues and there by harming his reputation. At one moment Marijana meets a poor but talented sculptor named Vanja whom she begins to love and care for. Marijana soon discovers that the world of prostitution and love of Vanja cannot coexist.

It is 1945 in Zagreb, and everyone is settling into the new regime following the disturbances of the war. Matilda is a wealthy widow of a war hero and has an apartment so spacious that she is required to take a boarder. Fortunately for her, the handsome young Lt. Horvat, the communist housing officer, has taken a fancy to her and has assigned his fiancee to be Matilda's new roommate. Where Matilda is soft and rounded, Lilijana is hard, skinny, and given to revolutionary pronouncements rather than tender endearments. The lieutenant loves them both, though he naturally finds Matilda more attractive. His situation is simplified when Lilijana, though pregnant, is transferred to another post. However, his commander is horrified that he has a lover in addition to his fiancee and demands that he choose whether to continue his career or continue his affair.

Two themes arise from the story, themes that are interlocked: the theme of love and of man's eternal submission to traditional symbols. The director Živko Nikolić continues his movie saga of human nature. Both themes develop the mythical idea of temptation. It is basic human relation: from the intimate to the families' vying with each other.

A man who works in a travel agency sees his chance to quit his job and do nothing for a while after his wife found a job, but now all the kitchen work is up to him.

Mina comes to the seaside mental hospital to find Andrej, who ended up there due to events from their common past that affected everybody's lives. There she gets in clash with authoritative doctor Vukcevic, but also with her own bygone, a kind of a labyrinth of dark familial stories.

Los Angeles in 1935. Fritz Lang receives in his hotel apartment the young film amateur Willy, who wants to prepare an interview with him. At a certain moment Lang starts relating how, as an army officer in the First World War, he spent some time in the house of the lawyer Karol Gatnik in a small town in the northeast of Slovenia. Lang makes friends with Gatnik and gets aquainted with all members of his family. When Lang finds out that Gatnik is a passionate film amateur and that he also possesses his own camera, they make a film together. This is probably Lang’s first contact with cinematography. Late at night Lang looks at the photographs in Los Angeles and revives in his spirit the imaginary meeting with his friend Gatnik.