After her daughter's fatal accident at a busy intersection, Jenni is confronted with videos on the web of Mia dying. Instead of helping, passersby were filming with their cell phones. The horrific images won't let Jenni go. Horror and rage at the gawkers' pitiless curiosity take her completely captive. There is hardly any room for her grief; instead, she obsessively searches for the accident spectators in order to confront them with the consequences of their sensationalism. She finds what she's looking for – but her first encounters don't help her. No one seems aware of any wrongdoing, or capable of admitting it. Supported by a tough lawyer, Jenni decides to take action against the sensationalists.

The life of the station attendants Alfons and Bruno is characterized by an everyday routine that they carry out with pedantic thoroughness. Even though no passengers have come for years, they have never failed to sound the hourly warning signals. One day, when a group of traveling musicians show up in front of the ticket counter, Alfons' beloved order is thrown into disarray. Bruno, on the other hand, finds pleasure in the lusty life of the musicians and begins to question the rules of the station.

A pseudo documentary study of an archetypal German who tries to model his world according to his ideas of law and (sexual) order.

A young boy wanders Eastern Europe during World War II.

Painting is an unacceptable vocation for a woman in provincial Germany in the year 1900, but budding artist Paula Becker is determined to make her own rules.

The documentary fiction is about courageous, unknown heroes who risked their lives offering resistance against the Nazis. This 90 minutes documentary drama wants to honor these unknown heroes with fictional acting scenes, interviews with family members and eyewitnesses and with statements of experts.

Leipzig, in December 1734: Christmas brings the Bach family together. The first snow has fallen and the children are happy about the arrival of their older half-brothers. Meanwhile, Anna Magdalena supports her husband Johann Sebastian Bach. The cantor believes in his mission to bring the divine closer to people with his music. But to achieve this, the “Christmas Oratorio” must be finished on time.