It's a story of 29-year-old top-manager Max who is really sure he is absolutely successful. All his life is around earning and spending money. But one day he meet a girl who is from another, real, world. And his own world starts to crash down.

For one evening, the Bolshoi takes on a new challenge with audacity in The Cage by Jerome Robbins, Harald Lander’s Études and Alexei Ratmansky’s Russian Seasons.

Europe, 1709. Russia and Sweden are at war. Two French duelists are exiled by King Louis XIV of France: one to the side of Czar Peter the Great of Russia, the other to the side of King Charles XII of Sweden. Although separated by war and allegiance, fate has not finished with them.

The Bolshoi presents the famous star-crossed lovers from Shakespeare’s most tragic love story set to Prokofiev’s cinematic score.

The warriors of Black Magician headed by Boar attack a border outpost. They capture prince Izayslav and wound his son Vlastimir. White Wizard saves Vlastimir and White Wizard's daughter Nastya falls in love with the young man. Recovering, Vlastimir plans to save his father. Many adventures await him, Nastya and their rescue party.

After a U.S. policeman is killed by black market weapons dealers, his partner, Rudy (Robert Madrid), and the murdered cop's father, ex-British Intelligence agent Roger Chambers (Michael York), head to Moscow to find the killers. The two begin to track down their targets, but their plan falters when Rudy's injured and Chambers is arrested. Enter Vlad (Alexander Nevsky), a Russian officer who's willing to help the men complete their mission.

Pechorin, a young officer, embarks on a journey across the majestic mountains of the Caucasus, on a path set by his passionate encounters. Disillusioned and careless, he inflicts pain upon himself and the women around him… The story, based on the larger-than-life hero Pechorin, is adapted from Mikhail Lermontov’s literary masterpiece in three separate stories recounting his heartbreaking betrayals. Is Pechorin a real hero? Or is he a man like any other? This brand new production by choreographer Yuri Possokhov is a tragic poetic journey that can only be seen at the Bolshoi. Filmed live on April 9th 2017.

Traveling through Egypt in the 19th century, a Englishman falls asleep inside a pyramid and travels back in time to the days of the pharaohs, where he immediately falls in love with the daughter of the ruler.

Carmen: Impetuous Carmen seduces Don José in order to convince him to let her out of jail. Once outside, she thinks she’s finally free before realizing that she’s in fact prisoner of a love triangle: she wants to be with the famous Torero Escamillo, but she can’t make Don José go away. Petruska: At Saint-Petersburg’s carnival, three puppets are playing the same role over and over: the unhappy lover Petrushka, the coquette and a Moor. Fed up with this endless part that never goes well for him, Petrushka attacks his rival and flees from the puppets theater. Carmen Suite, staged by Alberto Alonso, is a one act ballet about a passionate, free-spirited woman caught in a love triangle. Stanislavsky’s Petrushka, choreographed by Edward Clug, encapsulates the story of a puppet that came to life, burdened by the human emotions of love, jealousy, and rage. Both stories envelop the characters which refuse to abide by the rules, to whom even the thought of submission is repulsive.

Carmen: Impetuous Carmen seduces Don José in order to convince him to let her out of jail. Once outside, she thinks she’s finally free before realizing that she’s in fact prisoner of a love triangle: she wants to be with the famous Torero Escamillo, but she can’t make Don José go away. Petruska: At Saint-Petersburg’s carnival, three puppets are playing the same role over and over: the unhappy lover Petrushka, the coquette and a Moor. Fed up with this endless part that never goes well for him, Petrushka attacks his rival and flees from the puppets theater. Carmen Suite, staged by Alberto Alonso, is a one act ballet about a passionate, free-spirited woman caught in a love triangle. Stanislavsky’s Petrushka, choreographed by Edward Clug, encapsulates the story of a puppet that came to life, burdened by the human emotions of love, jealousy, and rage. Both stories envelop the characters which refuse to abide by the rules, to whom even the thought of submission is repulsive.